tag:blogger.com,1999:blog-46765388227172636432024-03-13T04:50:50.379-07:00Eric Mattson ; commissaire arts et sons / curated works2021-2022 ----------- TERRITOIRES ; ÉTUDES #02.
Recherches et productions : A. St-Onge, É. B. Côté, J. Roussy, M.-A. Reinhardt, M.-H. Massy-Émond, Patrick Beaulieu -----------
MANUEL POUR UN NOUVEAU VOISINAGE. Recherches, productions et diffusion en temps de crises : B. Gonzàles, C. Bernard-Gravel, C. Gagné, D. Canty, Émilie Payeur, É. Normand, F. Godoy, I. Toninato, J. Reimer, M. Rodríguez, M. P. Lapierre, N. Larchet, N. Leblanc, O. Ukumari, S. Thulin, S. Bates, V. Thériault, Y. Jun.Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.comBlogger84125tag:blogger.com,1999:blog-4676538822717263643.post-13245636006364701922021-10-14T14:10:00.000-07:002021-10-14T14:10:52.861-07:00Manuel pour un Nouveau Voisinage ; ÉMILIE PAYEUR<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-JG4_5vCnlLg/YWiXxpixGjI/AAAAAAAAJ4Q/VPnjTy0MFYYvVkbH0rxySagIPHZMvPHYwCLcBGAsYHQ/s622/affiche%2Bcopy%2B2.jpeg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="622" data-original-width="481" src="https://1.bp.blogspot.com/-JG4_5vCnlLg/YWiXxpixGjI/AAAAAAAAJ4Q/VPnjTy0MFYYvVkbH0rxySagIPHZMvPHYwCLcBGAsYHQ/s400/affiche%2Bcopy%2B2.jpeg"/></a></div>
<a href="https://www.emiliepayeur.com/musique-pour-l-apr%C3%A8s-temps"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">
Émilie Payeur écrit :<br>
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Dans le cadre du projet Manuel pour un nouveau voisinage du commissaire Eric Mattson, j'offre des consultations dont le but est de déterminer les besoins d'une personne afin de lui créer une Formule Sonore thérapeutique sur mesure en plus de tisser des liens avec les gens habitants mon quartier.<br><br>
Suivant l'idée d'une formule en herboristerie qui consiste en un mélange de différentes plantes choisies spécifiquement pour supporter de manière thérapeutique une personne, les Formules Sonores sont des fragments sonores dont les sons utilisés pour les composer ont été choisis spécifiquement afin de cibler les besoins d'une personne. Le but principal est de promouvoir un moment de pleine conscience en écoutant la Formule Sonore en boucle sur un petite dispositif que je leur prête pendant une semaine. Dans certains cas, des indications spécifiques d'utilisation ou bien d'autres éléments peuvent accompagner le dispositif. À la fin de leur période thérapeutique d'une semaine, je leur remet leur Formule Sonore sous forme d'un fichier numérique afin de pouvoir continuer à l'utiliser. <br><br>
Je demande aux participants.es, la majorité habitant dans mon quartier, à Verdun, de prendre une photo du dispositif à l'endroit où ils le placent lors de son utilisation ainsi que d'écrire quelques phrases au sujet de leur expérience à des fins de documentation.<br><br>
Le projet s'étend d'octobre jusqu'à la fin de décembre 2021. </spanEric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-7942825444310332862021-10-12T11:59:00.002-07:002021-10-17T10:20:37.591-07:00Manuel pour un Nouveau Voisinage ; STEVE BATES<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-HWw4dLtEKXo/YWXa6Gv_anI/AAAAAAAAJw0/Ktkql1mplFoNhzQcSSl1w9MzdsCpT_HzACLcBGAsYHQ/s2016/image0.jpeg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="2016" data-original-width="1512" src="https://1.bp.blogspot.com/-HWw4dLtEKXo/YWXa6Gv_anI/AAAAAAAAJw0/Ktkql1mplFoNhzQcSSl1w9MzdsCpT_HzACLcBGAsYHQ/s320/image0.jpeg"/></a></div>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">STEVE BATES<br />
<br />Still frames from : The Year I Floated In Space_film #1<br /><br />
Light, shadow, plants, sky. Saskatoon, Saskatchewan. 2021.<br />
sound and image: Steve Bates</span>
<a href="https://vimeo.com/629381018"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
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padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="320" data-original-height="1280" data-original-width="2048" src="https://1.bp.blogspot.com/-vjjtx1w_vkw/YWXd9wRwHxI/AAAAAAAAJ0Q/R7kZcov8VBYoUfcHLkJW6_GPI4IJdkn2QCLcBGAsYHQ/s320/Capture%2Bd%25E2%2580%2599e%25CC%2581cran%252C%2Ble%2B2021-09-27%2Ba%25CC%2580%2B00.09.56.png"/></a></div>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-37677956976931237362021-10-12T11:57:00.007-07:002021-10-12T12:06:54.801-07:00Manuel pour un Nouveau Voisinage ; VINCENT THÉRIAULT<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-nxtx4emLBmg/YWXb209RMzI/AAAAAAAAJyA/dmwbJDTclhAccd04MT7vFUdatTcN-ry6ACLcBGAsYHQ/s5152/IMG_1586.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="3864" data-original-width="5152" src="https://1.bp.blogspot.com/-nxtx4emLBmg/YWXb209RMzI/AAAAAAAAJyA/dmwbJDTclhAccd04MT7vFUdatTcN-ry6ACLcBGAsYHQ/s320/IMG_1586.JPG"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-Mndr3ECLrrU/YWXb29mGezI/AAAAAAAAJx8/EGrELJJ5N6QPXfKSExMFLCH0KVXldu0YACLcBGAsYHQ/s5152/IMG_1619.JPG" style="display: block; 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padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1152" data-original-width="2048" src="https://1.bp.blogspot.com/-IOhAa7jTjCs/YWXcPs3l6xI/AAAAAAAAJzM/o3UwBQaFlVkEUHNMCL3ELk_VyPlsH-QMwCLcBGAsYHQ/s320/8.png"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-ey-SVr6-kj8/YWXcNFZ-qiI/AAAAAAAAJy8/EUhc8sFUTqcmtRR2G5qS0vr7rKs85BSwgCLcBGAsYHQ/s2048/IMG_1216.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="320" data-original-height="2048" data-original-width="1536" src="https://1.bp.blogspot.com/-ey-SVr6-kj8/YWXcNFZ-qiI/AAAAAAAAJy8/EUhc8sFUTqcmtRR2G5qS0vr7rKs85BSwgCLcBGAsYHQ/s320/IMG_1216.JPG"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-z2emmVlmDUw/YWXcNiwuyYI/AAAAAAAAJzE/6Knk3sA8vfEZimgamNKpSfNClxLU9u14QCLcBGAsYHQ/s2048/IMG_1217.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1536" data-original-width="2048" src="https://1.bp.blogspot.com/-z2emmVlmDUw/YWXcNiwuyYI/AAAAAAAAJzE/6Knk3sA8vfEZimgamNKpSfNClxLU9u14QCLcBGAsYHQ/s320/IMG_1217.JPG"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-79hkZtLeMw4/YWXcO4NTewI/AAAAAAAAJzI/56X26XQT6_I_uVyDdGbmCPPWr6noWw9ewCLcBGAsYHQ/s2048/IMG_1218.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1536" data-original-width="2048" src="https://1.bp.blogspot.com/-79hkZtLeMw4/YWXcO4NTewI/AAAAAAAAJzI/56X26XQT6_I_uVyDdGbmCPPWr6noWw9ewCLcBGAsYHQ/s320/IMG_1218.JPG"/></a></div>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-39823959940733612452021-10-12T11:57:00.006-07:002021-10-12T12:01:54.520-07:00Manuel pour un Nouveau Voisinage ; NATHALIE LEBLANC<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-mv3v_x6ylJA/YWXbf8JR3FI/AAAAAAAAJxQ/7H5le3_2JooMA7jR5vtVYrh61Uu-CjXPgCLcBGAsYHQ/s2048/52_Fene%25CC%2582tre.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-mv3v_x6ylJA/YWXbf8JR3FI/AAAAAAAAJxQ/7H5le3_2JooMA7jR5vtVYrh61Uu-CjXPgCLcBGAsYHQ/s320/52_Fene%25CC%2582tre.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-7RkQxSFnHoo/YWXbgFynCXI/AAAAAAAAJxU/nBfi1G6oK1AJOk-r9mqzvXMBSKTzLIY5QCLcBGAsYHQ/s2048/60_Bureau.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-7RkQxSFnHoo/YWXbgFynCXI/AAAAAAAAJxU/nBfi1G6oK1AJOk-r9mqzvXMBSKTzLIY5QCLcBGAsYHQ/s320/60_Bureau.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-WEKGtxM6z7Q/YWXbgKLQuuI/AAAAAAAAJxM/ObF9MQRQoIc80eMZ1qoC38O5KE083wQRgCLcBGAsYHQ/s2048/61_Porte.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-WEKGtxM6z7Q/YWXbgKLQuuI/AAAAAAAAJxM/ObF9MQRQoIc80eMZ1qoC38O5KE083wQRgCLcBGAsYHQ/s320/61_Porte.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-kt66IZqv-4E/YWXbifxmRpI/AAAAAAAAJxY/jeZrvE_Tx60SHwi54hLzavVZwTac0BWIgCLcBGAsYHQ/s2048/66_Cuisine.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-kt66IZqv-4E/YWXbifxmRpI/AAAAAAAAJxY/jeZrvE_Tx60SHwi54hLzavVZwTac0BWIgCLcBGAsYHQ/s320/66_Cuisine.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-14a9HN-RVPo/YWXbjtCAeKI/AAAAAAAAJxg/Q_bKBvJEAJIJEzbvBs6eCQ9aA0UEZGQIQCLcBGAsYHQ/s2048/74_Chambre.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-14a9HN-RVPo/YWXbjtCAeKI/AAAAAAAAJxg/Q_bKBvJEAJIJEzbvBs6eCQ9aA0UEZGQIQCLcBGAsYHQ/s320/74_Chambre.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-CoeMNBnklxw/YWXbjTYtm1I/AAAAAAAAJxc/qWGueSNGvpo74w-SovzY09caGUhNoKengCLcBGAsYHQ/s2048/76_Bureau.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-CoeMNBnklxw/YWXbjTYtm1I/AAAAAAAAJxc/qWGueSNGvpo74w-SovzY09caGUhNoKengCLcBGAsYHQ/s320/76_Bureau.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-zI_tKP8wMuE/YWXbkbSJTPI/AAAAAAAAJxk/57bVu5MMCoULEQImhej8iT-tA7xeyuLVACLcBGAsYHQ/s2048/77_Salon.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-zI_tKP8wMuE/YWXbkbSJTPI/AAAAAAAAJxk/57bVu5MMCoULEQImhej8iT-tA7xeyuLVACLcBGAsYHQ/s320/77_Salon.jpg"/></a></div>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-42414967680342228642021-10-12T11:56:00.004-07:002021-10-12T12:25:42.407-07:00Manuel pour un Nouveau Voisinage ; SAMUEL THULINPréparation : 16 septembre 2021<br>
<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-_DI06UJdNwk/YWXfAkJEE1I/AAAAAAAAJ0c/moPoAD_OKHoci5sjW0INmH6UixlobjZoQCLcBGAsYHQ/s480/Samuel_Thulin_01_1.jpeg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="271" data-original-width="480" src="https://1.bp.blogspot.com/-_DI06UJdNwk/YWXfAkJEE1I/AAAAAAAAJ0c/moPoAD_OKHoci5sjW0INmH6UixlobjZoQCLcBGAsYHQ/s400/Samuel_Thulin_01_1.jpeg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-qWnzudiljEk/YWXfAtBc47I/AAAAAAAAJ0g/g9nVwB5DiAUiy6MUWTYWzIOkZ5G6mGDYQCLcBGAsYHQ/s2048/Samuel_Thulin_01_2.jpeg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="1152" data-original-width="2048" src="https://1.bp.blogspot.com/-qWnzudiljEk/YWXfAtBc47I/AAAAAAAAJ0g/g9nVwB5DiAUiy6MUWTYWzIOkZ5G6mGDYQCLcBGAsYHQ/s400/Samuel_Thulin_01_2.jpeg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-q0ye9Zb3N-o/YWXfAvxYXMI/AAAAAAAAJ0k/GqxLa4bRcfw0LKP-K7QKrn6-Bqt-YF_-ACLcBGAsYHQ/s960/Samuel_Thulin_01_3.jpeg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="400" data-original-height="960" data-original-width="528" src="https://1.bp.blogspot.com/-q0ye9Zb3N-o/YWXfAvxYXMI/AAAAAAAAJ0k/GqxLa4bRcfw0LKP-K7QKrn6-Bqt-YF_-ACLcBGAsYHQ/s400/Samuel_Thulin_01_3.jpeg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-46hiMMIL0q8/YWXfBfDidiI/AAAAAAAAJ0o/g8d52BDlhRMuLlyKIV7xLncf1t8OO1PnQCLcBGAsYHQ/s960/Samuel_Thulin_01_4.jpeg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="540" data-original-width="960" src="https://1.bp.blogspot.com/-46hiMMIL0q8/YWXfBfDidiI/AAAAAAAAJ0o/g8d52BDlhRMuLlyKIV7xLncf1t8OO1PnQCLcBGAsYHQ/s400/Samuel_Thulin_01_4.jpeg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-TvuA_bg-dfo/YWXfBi-pvrI/AAAAAAAAJ0s/rXXoH1WH5twixinyCGBZh0R1sL0ZHMy3QCLcBGAsYHQ/s960/Samuel_Thulin_01_5.jpeg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="540" data-original-width="960" src="https://1.bp.blogspot.com/-TvuA_bg-dfo/YWXfBi-pvrI/AAAAAAAAJ0s/rXXoH1WH5twixinyCGBZh0R1sL0ZHMy3QCLcBGAsYHQ/s400/Samuel_Thulin_01_5.jpeg"/></a></div>
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Performance : 03 octobre 2021<br><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-QKlEG9-zkxs/YWXgq6b5t5I/AAAAAAAAJ1I/8uf00fB__8wmzggbidIpa0LS4qUo_kO6gCLcBGAsYHQ/s2048/IMG_8629.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1536" data-original-width="2048" src="https://1.bp.blogspot.com/-QKlEG9-zkxs/YWXgq6b5t5I/AAAAAAAAJ1I/8uf00fB__8wmzggbidIpa0LS4qUo_kO6gCLcBGAsYHQ/s320/IMG_8629.JPG"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-TuvaiNCgAxM/YWXgq9eFnVI/AAAAAAAAJ1A/9oTQaNqJONoDUkPyBphuSvbd4MScvJPGwCLcBGAsYHQ/s2048/IMG_8639.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1536" data-original-width="2048" src="https://1.bp.blogspot.com/-TuvaiNCgAxM/YWXgq9eFnVI/AAAAAAAAJ1A/9oTQaNqJONoDUkPyBphuSvbd4MScvJPGwCLcBGAsYHQ/s320/IMG_8639.JPG"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-ZDX3x9MT7AQ/YWXgq-W60NI/AAAAAAAAJ1E/Uj7y1C-YfxE21ru3ef6F2GyEJ4czOHT1gCLcBGAsYHQ/s2048/IMG_8642.JPG" style="display: block; 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padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="960" data-original-width="1280" src="https://1.bp.blogspot.com/--95Ctmc_ld4/YWXg8BsUMtI/AAAAAAAAJ3A/X4ahadsL2KMpcZtBsGDF6r7q1uniYLXFgCLcBGAsYHQ/s320/IMG_8706.JPG"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-yOTtz-rzBOM/YWXg56UsVNI/AAAAAAAAJ2o/46o6ZilnCyIFyRmp8jHFk_MRsjIv5N_fQCLcBGAsYHQ/s2048/IMG_8697.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="320" data-original-height="1536" data-original-width="2048" src="https://1.bp.blogspot.com/-yOTtz-rzBOM/YWXg56UsVNI/AAAAAAAAJ2o/46o6ZilnCyIFyRmp8jHFk_MRsjIv5N_fQCLcBGAsYHQ/s320/IMG_8697.JPG"/></a></div>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-54381078291872642022021-10-12T11:09:00.010-07:002021-10-14T14:16:48.605-07:002021 - 2022 ; Manuel pour un nouveau voisinage. Recherches, productions et diffusion en temps de crises.<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Manuel pour un nouveau voisinage
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L’inspiration principale de ce projet réside dans mes efforts à répondre à la question : comment en temps de crises climatiques et sociales, l’artiste sensible à ces enjeux peut-il, par son imaginaire, contribuer aux débats de société.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">BARBÀRA GONZÀLES<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">CAMILLE BERNARD-GRAVEL<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Camille</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">CAROLINE GAGNÉ<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">DANIEL CANTY<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href=""><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">ÉMILIE PAYEUR <br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="https://www.blogger.com/blog/post/edit/4676538822717263643/1324563600636470192?hl=fr"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">ÉRIC NORMAND<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">FELIX-ANTOINE MORIN<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">FERNANDO GODOY<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">JEN REIMER<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">MARTIN RODRIGUEZ<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">MATHIEU P.LAPIERRE<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="hhttps://www.blogger.com/blog/post/edit/4676538822717263643/1775235186271924291?hl=fr" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">NADY LARCHET<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">NATHALIE LEBLANC<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="https://www.blogger.com/blog/post/edit/4676538822717263643/3982395994073361245?hl=fr" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">OZZO UKUMARI<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">SAMUEL THULIN<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="https://www.blogger.com/blog/post/edit/4676538822717263643/4241496768034222864?hl=fr" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">STEVE BATES<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="https://www.blogger.com/blog/post/edit/4676538822717263643/794282544431033286?hl=fr" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">VINCENT THÉRIAULT<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="https://www.blogger.com/blog/post/edit/4676538822717263643/3767795697693123736?hl=fr" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">YAN JUN<br />
Titre : xxxx<br />Janvier à mars 2022 ; Chili<br /><br />
texte
</span><br />
<div class="separator" style="clear: both;"><a href="" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Barbara Gonzales</span></div>
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<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-nuyeEq2jggU/YWXY-Ss2l0I/AAAAAAAAJvM/xtIWhFU_swsfPo23aI9pe0BjyMUmmIgIwCLcBGAsYHQ/s2048/60_Bureau.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-nuyeEq2jggU/YWXY-Ss2l0I/AAAAAAAAJvM/xtIWhFU_swsfPo23aI9pe0BjyMUmmIgIwCLcBGAsYHQ/s320/60_Bureau.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-Rq19iBnn_zg/YWXZGzVsyUI/AAAAAAAAJvQ/PmE4LfFBG5wtXKajXHxJozmaVgdsPQMaACLcBGAsYHQ/s2048/52_Fene%25CC%2582tre.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-Rq19iBnn_zg/YWXZGzVsyUI/AAAAAAAAJvQ/PmE4LfFBG5wtXKajXHxJozmaVgdsPQMaACLcBGAsYHQ/s320/52_Fene%25CC%2582tre.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-uThVgAdg-ZI/YWXZHAztZTI/AAAAAAAAJvY/fqihpgGwlQsiJkTrlPoW-MLqMnh5mjHqgCLcBGAsYHQ/s2048/60_Bureau.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-uThVgAdg-ZI/YWXZHAztZTI/AAAAAAAAJvY/fqihpgGwlQsiJkTrlPoW-MLqMnh5mjHqgCLcBGAsYHQ/s320/60_Bureau.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-p-y58vhvyAQ/YWXZG9Dsd-I/AAAAAAAAJvU/00HsSlp2WhMwGw7tzLJ36DzV9dY-LfVNQCLcBGAsYHQ/s2048/61_Porte.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-p-y58vhvyAQ/YWXZG9Dsd-I/AAAAAAAAJvU/00HsSlp2WhMwGw7tzLJ36DzV9dY-LfVNQCLcBGAsYHQ/s320/61_Porte.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-RJyNb2ELuE4/YWXZJ2Df4cI/AAAAAAAAJvc/aH5l268m7fwcOD9RBlCLlzEKwFoe-F7XwCLcBGAsYHQ/s2048/66_Cuisine.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-RJyNb2ELuE4/YWXZJ2Df4cI/AAAAAAAAJvc/aH5l268m7fwcOD9RBlCLlzEKwFoe-F7XwCLcBGAsYHQ/s320/66_Cuisine.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-Qmanuq7KT-E/YWXZKSud9DI/AAAAAAAAJvk/TjQ779kXl-8nNPhW11GtlvBfM2rXm-l0wCLcBGAsYHQ/s2048/74_Chambre.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="320" data-original-height="1368" data-original-width="2048" src="https://1.bp.blogspot.com/-Qmanuq7KT-E/YWXZKSud9DI/AAAAAAAAJvk/TjQ779kXl-8nNPhW11GtlvBfM2rXm-l0wCLcBGAsYHQ/s320/74_Chambre.jpg"/></a></div><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-tIb5M0N-20o/YWXZKb5hs3I/AAAAAAAAJvg/tdLlE6pAktUQcuyLtYxfrsb9gofO1vbMACLcBGAsYHQ/s2048/76_Bureau.jpg" style="display: block; padding: 1em 0; 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</div>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-2298942888335419732021-10-12T09:30:00.004-07:002021-10-14T14:23:20.704-07:00PRODUCTIONS : Événements / Events ; Expositions / exhibitions<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: xx-small;"><b>Eric Mattson, commissaire / curator</b><br /><br /></span>
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<b>Le BLOC ORAL</b></span><br /> <a href="https://leblocoral.blogspot.com/2021/05/le-bloc-oral-evenements-events.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
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<b>Études, photos, projets</b></span><br /> <a href="https://eric-mattson-photos.blogspot.com/2021/05/eric-mattson-etudes-recherches.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
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<b>ORAL_records</b></span><br /> <a href="https://oralrecords.bandcamp.com/"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
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Commissariat et production: Eric Mattson (autres productions sous Le BLOC ORAL)</span></td></tr>
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Événements - concerts</span></td></tr>
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<span style="font-size: xx-small;"><span style="background-color: #eeeeee;">Manuel pour un nouveau voisinage. En cours</span>
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Commissaire à distance : Eric Mattson. Début : septembre 2021<br />
Recherches, productions et diffusion en temps de crises avec: Barbàra Gonzàles (Santiago, Chili) ; Camille Bernard-Gravel, Mathieu P. Lapierre, Nathalie Leblanc, Vincent Thériault (Québec) ; Caroline Gagné (Saint-Jean-Port-Joli) ; Daniel Canty, Émilie Payeur, Ida Toninato, Felix-Antoine Morin, Jen Reimer, Martin Rodriguez, Samuel Thulin (Montréal); Éric Normand (Rimouski); Fernando Godoy (Valparaiso, Chili) ; Nady Larchet (Saint-Benoît Labre) ; Ozzo Ukumari (Santa Cruz de la Sierra, Bolivie) ; Steve Bates (Saskatoon) ; Yan Jun (Beijing). </span><br />
<span style="font-size: xx-small;">Bourses du Conseil des Art du Canada, programme Du concept à la réalisation, et du Conseil des arts et des lettre du Québec, programme : Création.</span>
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<span style="font-size: xx-small;"><span style="background-color: #eeeeee;">Territoires, études #2. En cours</span>
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Commissaire : Eric Mattson. Début : Avril 2021<br />
Recherches et productions avec : Alexandre St-Onge, Émilie B. Côté, Johanne Roussy, Marc-Alexandre Reinhardt, Marie-Hélène Massy-Émond, Patrick Beaulieu</span><br />
<span style="font-size: xx-small;">Bourse du Conseil des Art du Canada, programme Du concept à la réalisation.</span></td>
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</span><a href="https://eric-mattson.blogspot.com/2020/10/2020-explorations-speculatives.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />Production : Verticale, centre d'art actuel, Laval (QC). Commissaire : Eric Mattson. Juillet à octobre 2020.
Résidences à distance d'artistes et production d'œuvres audiovisuelles : Alexandre Bérubé, Frédérique Laliberté. Guillaume Pascale
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Valparaiso, Chili. Novembre, décembre 2019<br />
Performances, recherches avec : Alexandre Burton (QC), Elico Suzuki (JPN), Martin Bakero (CHI, FR), Pali Meursault (FR)<br />
Bourse du Conseil des Art du Canada, programme de déplacement. </span><br />
<span style="font-size: xx-small;">Bourse du Conseil des arts et des lettres du Québec, programme Diffusion d’œuvres hors Québec.</span></td></tr>
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<span style="font-size: xx-small;">Recherches, présentations publiques, productions avec Camille Bernard Gravel, Douglas Scholes, François Quévillon, Marc-Alexandre Reinhardt, Mathieu Latulippe. </span><span style="font-size: xx-small;">Bourse du Conseil des arts et des lettres du Québec, programme Manifestation</span><br />
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<td align="left" width="320"><span style="font-size: xx-small;">(5/5) François Quévillon <br /> <a href="https://eric-mattson.blogspot.com/2019/10/francois-quevillon-definir-territoires.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></span></td>
<td align="center" width="320"><span style="font-size: xx-small;">(4/5) Marc-Alexandre Reinhardt <br /> <a href="https://eric-mattson.blogspot.com/2019/09/marc-alexandre-reinhardt-26-08-05-09.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></span></td>
<td align="right" width="320"><span style="font-size: xx-small;">(3/5) Douglas Scholes <br /> <a href="https://eric-mattson.blogspot.com/2019/08/douglas-scholes-11-17-08-2019.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></span></td>
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<td align="left" width="320"><span style="font-size: xx-small;">(2/5) Mathieu Latulippe</span><span style="font-size: x-small;"> <br /> <a href="https://eric-mattson.blogspot.com/2019/08/mathieu-latulippe-3007-0408-2019.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></span><br />
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<td align="center" width="320"><span style="font-size: xx-small;"><span style="font-size: xx-small;">(1/5) Camille Bernard-Gravel(2)</span><br /> <a href="https://eric-mattson.blogspot.com/2019/07/camille-bernard-gravel-enracinement.html" style="font-size: small;"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></span></td>
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<span style="font-size: xx-small;">Production : Eric Mattson. François Quévillon. 2018 - 2019<br />Expositions et événements à Daïmon (Gatineau, oct.2018), Avatar (Québec, jan. 2019), Expression (Saint-Hyacinthe, février 2019), Le MA (Rouyn Noranda, sept. 2019). Bourse du Conseil des arts et des lettres du Québec, programme Diffusion d’œuvres au Québec</span><br />
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<td align="left" width="320"><span style="font-size: xx-small;">(4/4) MA Musée d'art, Rouyn-Noranda <br /> <a href="https://eric-mattson.blogspot.com/2019/10/2019-francois-quevillon-en-tournee-44.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a>
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<td align="center" width="320"><span style="font-size: xx-small;">(3/4) Expression, Rouyn-Noranda <br /> <a href="https://eric-mattson.blogspot.com/2019/03/2019-francois-quevillon-en-tournee-34.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></span></td>
<td align="right" width="320"><span style="font-size: xx-small;">(2/4) Avatar, Québec <br /> <a href="https://eric-mattson.blogspot.com/2019/01/2019-francois-quevillon-en-tournee-24.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></span></td>
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<td align="left" width="320"><span style="font-size: xx-small; text-align: -webkit-center;">(1/4) Daïmon, Gatineau </span><a href="https://eric-mattson.blogspot.com/2018/10/2018-francois-quevillon-en-tournee-14.html" style="font-size: x-small; text-align: -webkit-center;"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a></td>
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<tr><td align="left" colspan="3" width="320"><span style="font-size: xx-small;">2018 TSONAMI Festival de Arte Sonoro</span><a href="https://eric-mattson.blogspot.com/2018/11/2018-tsonami.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">Valparaiso, Chili. Novembre, décembre 2018<br />
Performances, recherches avec : Jen Reimer et Max Stein, Marc-Alexandre Reinhardt, Pascale Lavigne, Stéphanie Castonguay<br />
Bourse du Conseil des Art du Canada, programme Du concept à la réalisation. (1)</span></td></tr>
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<tr><td align="left" colspan="3" width="320"><span style="font-size: xx-small;"><span style="background-color: #eeeeee;">2018 . Marc-Alexandre Reinhardt & Eric Mattson ; Résidence Amereida 2018</span><a href="https://eric-mattson.blogspot.com/2019/07/2018-amereida-chili-residence-avec-marc.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">Production : Eric Mattson et Ciudad Abierta. Ritoque, Novembre 2018<br />
Performances, recherches avec : Marc-Alexandre Reinhardt et des adolescents autistes, Sebastian Larrochea<br />
Bourse du Conseil des Art du Canada, programme Du concept à la réalisation.(II)</span></td></tr>
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<tr><td align="left" colspan="3" width="320"><span style="font-size: xx-small;">LA MARCHE EST HAUTE ; TERRITOIRES</span><a href="https://eric-mattson.blogspot.com/2018/06/la-marche-est-haute-territoires.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">Juin à septembre 2018<br />
Interventions et marches avec : Alexandre Bérubé, Éric Normand et le GGRIL, Geneviève Chevalier, Martine H. Crispo, Philippe-Aubert Gauthier, Véronique Doucet<br />
Bourse du Conseil des Art du Canada, programme Du concept à la réalisation</span></td></tr>
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<tr><td align="left" colspan="3" width="320"><span style="font-size: xx-small;">FESTIVAL TUNED CITY MESSENE : Act as fate wills, destruction comes & Entopia</span><a href=""><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">Production : Tuned City. Mai 2018<br />
Performances de Marc-Alexandre Reinhardt <br />
Invitation par Tuned City, Carsten Stabenow</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">TSONAMI FESTIVAL : Du Nord au Sud, du Sud au Nord</span><a href="https://eric-mattson.blogspot.com/2017/11/blog-post_23.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">Valparaiso, Chili. Novembre, décembre 2017<br />
Performances, recherches avec : Félix-Antoine Morin, Steve Bates<br />
Bourse du Conseil des Art du Canada, programme Du concept à la réalisation.</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">ANEMOSC 960</span><a href="https://eric-mattson.blogspot.com/2016/11/2016-nicolas-spencer-anemosc-960-puerto.html
"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">Production : Nicolas Spencer. Puerto Williams, Chili. Novembre 2016<br />
Commissariat et documentation avec / pour cet artiste chilien.</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">LES INAUDIBLES</span><a href="https://eric-mattson.blogspot.com/2016/05/2016-les-inaudibles-performances-sonores.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Montréal. Avril à mai 2016<br />
10 interventions urbaines sur le thème des « enregistrements de terrain » avec : David Drury, Drew Barnett, Émilie Mouchous, Felix-Antoine Morin, Hélène Prévost, Jean-Pierre Aubé, Jen Reimer & Max Stein, Magali Babin, Nicolas Dion<br />
Bourse du Conseil des Arts du Canada, Programme d’aide à la musique nouvelle.</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">LA MARCHE (EST HAUTE)</span><a href="https://eric-mattson.blogspot.com/2015/02/les-premiers-pas-first-footsteps.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Production : Eric Mattson, MINUTE. Printemps, automne 2015<br />
1 exposition, 10 interventions urbaines avec : Andra McCartney, Daniel Canty, Rober Racine, Raymond Gervais, Thomas Bégin, Éric Letourneau, Marc-Alexandre Reinhardt (assisté de Steve Bates et Douglas Moffat), Jean-Sébastien Truchy, Patrick Beaulieu, Douglas Scholes<br />
Bourse du Conseil des Arts et des Lettres du Québec, Réalisation de manifestations à caractère événementiel. Arts médiadiques. Bourse du Conseil des Arts du Canada, Subvention de projet aux collectifs des arts médiatiques<br /><br />
LA MARCHE (EST HAUTE) - conférence<br />
Conférencier : Eric Mattson. Modérateur : Carsten Stabenow. Berlin, Allemagne. Février 2016<br />
Présentation, lors du festival Club Transmediale, de mon travail de commissaire, notamment ce projet.<br />
Bourse du Conseil des Arts et des Lettres du Québec, Prospection à l’étranger</span> </td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">LES VOISINS / Neighbors</span><a href="https://eric-mattson.blogspot.com/2014/07/2014-les-voisins-neighbors.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Production : Eric Mattson, MINUTE. Mars à Juillet 2014<br />
30 interventions urbaines avec : Amir Amiri, Ambroise Vesac, Meriol Lehman, Alexis Bellavance, Jonathan Villeneuve, Daniel Olson, Francis Rossignol, Samuel Thulin, Jean-Sébastien Truchy, Charles Barabé , Nicolas Dion, Catherine Béchard, Sabin Hudon, Alex St-Onge, Audiotopie, Belinda Campbell, Nikki Forrest, Chantal Dumas, Victoria Stanton, Félix-A Morin, Emilie Mouchous, Michel de Broin, Magalin Babin, Bruno Julian, Yan Jun<br />
Bourse du Conseil des Arts et des Lettres du Québec, Réalisation de manifestations à caractère événementiel. Arts médiadiques. Bourse du Conseil des Arts du Canada, Subvention de projet aux collectifs des arts médiatiques</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">CINÉMA POUR L'OREILLE 2013</span><a href="https://eric-mattson.blogspot.com/2013/12/2013-cinema-pour-loreille-performances.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Production : Eric Mattson, MINUTE<br />
- avec : Alexandre Saint-Onge, Jean-Sébastien Truchy, Philippe Lambert, Roger Tellier-Craig, Erin Sexton<br />
9 décembre 2013, Sala Rossa, Montréal<br />
- avec : Éric Gingras, Francis Rossignol, Félix-Antoine Morin, Pecora Pecora. 10 décembre 2013, Sala Rossa, Montréal<br />
Bourse du Conseil des Arts du Canada, Subvention de projet spéciaux en musique</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">EXCEPTIONS</span><a href="https://eric-mattson.blogspot.com/2013/05/2013-exceptions-performances.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Production : Eric Mattson, MINUTE<br />
Incarnation, avec : Alexandre Saint-Onge, Philippe-Aubert Gauthier, Raymond Gervais + Malcolm Goldstein. 28 mars 2013, Sala Rossa, Montréal<br />
Contamination, avec : Amir Amiri, Alcides Lanza, Martin Tétreault, Michel Langevin, Marc-Alexandre Reinhardt, Et\Ou. 26 avril 2013, Sala Rossa, Montréal<br />
Incarnation, avec : Thomas Bégin, Peter Flemming, Manon Labrecque et Ghislain Roy. 23 mai 2013, Fonderie Darling, Montréal<br />
Bourse du CALQ, Réalisation de manifestations à caractère événementiel. Arts médiadiques.<br />
Bourse du Conseil des Arts du Canada, Subvention de projet aux collectifs des arts médiatiques</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">LES FANTÔMES DES ESPACES PUBLICS / Ghosts of Public Spaces</span><a href="https://eric-mattson.blogspot.com/2012/06/2012-les-fantomes-des-espaces-publics.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Production : Minute. Avec : Jean-Pierre Gauthier, Magali Babin, Steve Bates, Douglas Moffat, Catherine Béchard et Sabin Hudon, Jen Reimer, Marc-Alexandre Reinhardt, Jean-Sébastien Truchy, Minibloc, Ghislain Roy, Max Stein, Nimalan Yoganathan, Seth Cluett (É-U), Steve Roden (É-U), Udo Nöll (ALL.), Lethe (JPN)<br />
Juin 2012, Festival Suoni Per Il Popolo, Montréal, (Québec)<br />
Bourse du Conseil des Arts du Canada, Programme d’aide aux musiques nouvelles : aide aux projets</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">EXPÉRIENCES DU VIVANT, LES MACHINES, C'EST ROMANTIQUE</span><a href="https://eric-mattson.blogspot.com/2012/05/2012-manif-dart-commissaire-nicole.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Atelier, performances et concerts. Mai 2012, MANIF 6, Québec.<br />
Avec : Jean-Pierre Gauthier, Manon Labrecque, Pascal Robitaille, Vromb, Thomas Bégin, Minibloc, Ghislain Roy, Kanta Horio (JPN), Toshimaru Nakamura (JPN), Norbert Möslang (SU)<br />
Bourse du Conseil des Arts du Canada, Programme d’aide aux musiques nouvelles : aide aux projets</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">IMPATIENCES MUSICALES 3 ; la suite…</span><a href="https://eric-mattson.blogspot.com/2012/06/2012-impatiences-musicales-3-la-suite.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Mercredi 27 mars 2012 : Les Impatients, Alexandre St-Onge, John Heward, Jesse-Osborne Lanthier. Sala Rossa, Montréal <br />
Mercredi 1er mai 2012 : Les Impatients, Anne F. Jacques, Thomas Bégin, Pierre-Yves Martel. Sala Rossa, Montréal<br />
Mardi 29 mai 2012 : Les Impatients, Pierre Tanguay, Diane Labrosse, Rober Racine. Sala Rossa, Montréal<br />
Lundi 17 Juin 2012 : Les Impatients, Martin Tétreault, Susanna Hood, Philippe Lauzier<br />
Chapelle du Bon-Pasteur, 100 rue Sherbrooke est, Montréal <br />
Bourse du Conseil des Arts du Canada, Programme de collaboration entre les artistes et la communauté</span></td></tr>
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Expositions</span></td></tr>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">SONS NOMADES / NOMADIC SOUNDS</span><a href="https://eric-mattson.blogspot.com/2019/01/2019-sons-nomades-nomadic-sounds-kanta.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Exposition. Commissaires : Eric Mattson et Nicole Gingras. Janvier 2019<br />
Œuvres de : Kanta Horio, Rie Nakajima (JPN), Martin Tétreault & Dieb 13 (QC, AUT), Miak Taanila & Mika Vainio (FIN)<br />
Une invitation du Club Transmediale, Berlin, Allemagne</span></td></tr>
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<td align="left" colspan="2" width="640"><span style="font-size: xx-small;">ORCHESTRATION IRRATIONNELLE, LOGIQUE ARACHNÉENNE</span>
<br />
<span style="font-size: xx-small;">
Exposition de Peter Flemming<br />
8 juin au 1er juillet 2017. Action Art Actuel, Saint-Jean-sur-Richelieu (Québec)</span>
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<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">LISE G.</span><a href="https://eric-mattson.blogspot.com/2015/02/2015-lise-g.html"><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Exposition de peintures et trames sonores associées, une collaboration entre Marc Leduc et Alexandre St-Onge et des œuvres de la Collection Les Impatients 2 avril au 2 mai 2015. Action Art Actuel, Saint-Jean-sur-Richelieu (Québec)</span></td></tr>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Montréal, QC, Canada45.5016889 -73.56725617.191455063821152 -108.723506 73.811922736178843 -38.411006tag:blogger.com,1999:blog-4676538822717263643.post-6580447040712019562021-05-14T10:28:00.004-07:002021-10-12T11:30:08.757-07:002021 . TERRITOIRES ; ÉTUDES #2. Début : Avril 2021 - - - - - - - Artistes : Alexandre St-Onge, Émilie B. Côté, Marc-Alexandre Reinhardt, Marie-Hélène Massy-Émond, Patrick Beaulieu<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Territoires ; études #2 se compose de six volets d’activités de recherche et de création par six d’artistes choisis par le commissaire, provenant de diverses régions. Cinq des six projets sont exécutés sur un territoire éloigné de leur résidence.
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L’inspiration principale de ce projet réside dans mes efforts à répondre à la question : comment en temps de crises climatiques et sociales, l’artiste sensible à ces enjeux peut-il, par son imaginaire, contribuer aux débats de société.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">PATRICK BEAULIEU<br />
Titre : L’Étang perdu – Territoire empirique<br />Avril 2021 à mars 2022 ; Mont Orford, Étang PERDU, Ruisseau des ÉGARÉS<br /><br />
Poursuivant sa production d’œuvres audiovisuelles sur le thème de la dilution (spatiale, physique, géographique, temporelle...), l’artiste réalisera une série d’excursions sur le territoire du Parc du Mont Orford, sur plusieures saisons. Les parcours seront essentiellement dictés par le réseau hydrographique, “des lacs de têtes d’un bassin versant, jusqu’à leurs points de confluences et de dilutions dans les ruisseaux et rivières en aval de leurs flux”. Ces explorations seront un terrain fertile à la production de documents audiovisuels pour une exposition. Une saisie informatique des données géophysiques sera effectuée. Nous envisageons la présence de divers professionnels de l’environnement que nous inviterons en temps donné.
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<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s1200/Outlook-gf4rzp5u.png" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Patrick Beaulieu</span></div>
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<div class="separator" style="clear: both;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">JOHANNE ROUSSY (Pointe De Moisie, Sept-îles)<br />
Titre : Terrains d’inégalités<br />Dès le 3 Juin 2021 pour une période à définir ; Pointe De Moisie, Sept-îles. Partenariat : La 8e Île.<br /><br />
La sculpteure de Sept-îles a acquis des titres miniers autour de Saint-Élie-de Caxton. Assistée d’artistes complices de longue date vivant dans cette municipalité de la Mauricie et ailleurs dans la province, du commissaire Eric Mattson, elle va réaliser une action poiltique et artistique sur le sujet : tous les développements sont à venir cet automne. Cette production témoigne que sur ces territoires ardemment convoités par les minières, l’extractivisme peut être avantageusement remplacé par des actions artistiques.
</span><br /> <div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s1200/Outlook-gf4rzp5u.png" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Eric Mattson</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">ALEXANDRE ST-ONGE (Québec) <br />
Spiritualisme anémique.<br />Du 7 au 14 Juin 2021 ; Pointe De Moisie, Sept-îles. Partenariat : La 8e Île.<br /><br />
Désireux de questionner les dessous même du mot écologie, l’artiste sonore et conceptuel propose une série d’actions concertées avec le commissaire de cette série Ces interventions se déroulent en extérieur, lors d’une résidence d’une semaine à la Pointe-de-Moisie au lieu dit La 8e île. La production journalière d’ « objets » sonores, visuels et textuels découlent de réflexions artistiques et théoriques sur nos responsabilités individuelles en égard aux questions que l’écologie impose aux domaines des finances, du social et de la politique. Un dispositif installatif est développé qui recueille les documents produits. Il devient le cœur d’une présentation et d’une performance collaborative à la 8e île le dernier jour de cette résidence de création. « Cet écosystème artistique et conceptuel tente de refléter autant au niveau de sa forme que de son contenu la complexité écologique tout en constituant un terrain d'investigation empirique pour rendre le plus cohérent possible l'arrimage entre la pratique artistique et le discours sur les enjeux environnementaux. » Un disque et une vidéo sont cetautomne en production.
</span><br /> <div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s1200/Outlook-gf4rzp5u.png" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Eric Mattson</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">MARC-ALEXANDRE REINHARDT (Aylmer, Outaouais)<br />
Titre : Reflux<br />Du 26 juillet au 08 août 2021 ; Le Barachois, Gaspésie. Partenariat : Festival du Barachois, Vaste et Vague<br /><a href="" target="_blank">https://vasteetvague.ca/reinhardt-reflux/</a><br /><br />
REFLUX prend le pouls du moment en sondant les transformations imprévisibles de Barachois. Inspiré des relations entre les divers habitats (humains et non-humains) de ce milieu singulier, l’artiste a conçu une installation sonore temporaire à partir d’enregistrements de terrain, de matériaux trouvés et des infrastructures du territoire pour entrer en résonance avec le site. Une bouche de canalisation sous la route 132, au confluent d’eau douce et de milieux salins, du village et de la grève, devient le lieu de son Passage en Gaspésie (Willie Lamothe). (source : site Biennale Barachois). En prêtant attention aux vibrations matérielles du site, à la fois audibles et inaudibles, l’artiste collecte les traces d’une transformation perceptible et imperceptible de cet environnement. Les sons recueillis sont composés et mis en espace de manière à inviter le public à s’accorder avec notre paysage abîmé. En ce sens, l’oeuvre pose la question : comment habiter le trouble ? Cette oeuvre s’inscrit dans Territoires ; Études #2, une série d’interventions coordonnées par le commissaire indépendant Eric Mattson.
</span><br /><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s1200/Outlook-gf4rzp5u.png" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Eric Mattson</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">ÉMILIE B. CÔTÉ (Ville-Marie, Témiscamingue)<br />
Titre : Écosystèmes en symbiose. du 25 août au 01 septmbre 2021 ; La pocatière et environs. Partenariat : Vrille Art Actuel<br /><br />
Les œuvres récentes de l’artiste du Témiscamingue suggèrent la lutte qu’entreprend le règne végétal, dans un monde de plus en plus soumis aux pressions exercées par l’activité humaine. Cette lutte est symbolisé ici par l’observation de l’existence de végétaux - des mousses, du lychen ou des champignons - prisonniers de cubes de béton. Particulièrement intéressée par la survie des êtres vivants en milieu hostile, L’artiste se déplace à La Pocatière où elle sera accueillie par l’organisme Vrille, afin d’observer et documenter dans un environnement tout autre que son Témiscamingue natal, l’existence des végétaux qui se développent au sein des fissures qui ne peuvent qu’apparaître avec l’action incessante des marées sur les accropodes, ces gigantesques blocs de béton destiné à protéger le littoral à certains endroits. Cette première étape du travail, documentée, sera suivie de la création de blocs de béton réduits insérant des végétaux de cet habitat côtier.
</span><br /> <div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s1200/Outlook-gf4rzp5u.png" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Eric Mattson</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">MARIE HÉLÈNE MASSY ÉMOND (La Motte, Abitibi)<br />
Titre : Déjeuners sur l'herbe: pique-niques abitibiens<br />
à définir 2021 ; La Motte, Abitibi). Partenariat : VoArt, Val d'Or<br /><br />
En des lieux symboliques du Bassins de l'Harricana dont celui anticipé de la compagnie Sayona, à La Motte, là où elle est né, là où son imaginaire prend forme, l’artiste invite des citoyens actifs dans des luttes pour la préservation de l’environnement à partager lors de rencontres symbolique. Réflexions sur les exactions passées, dépôts d'idées sur des enjeux actuels, dévoilement de documents inédits. Ces rencontres avec des membres du Comité NoVi, du comité de Protection de l'Esker, de l'Action boréale, du Revimat, du comité citoyen de Malartic, et des membres de la communauté de Pikogan, sont réalisées avec l’assistance de Carmelle Adam, directrice du Centre d’Art de Val d’Or. Avec l’autorisation de toutes et tous, les documents numériques audiovisuels captés seront édités en une œuvre singulière, qui sera présentée aux personnes présentes et ultérieurement sur l’internet et en galerie.
</span><br /> <div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s1200/Outlook-gf4rzp5u.png" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" width="620" data-original-height="675" data-original-width="1200" src="https://1.bp.blogspot.com/-KC2SuyJIUjM/YJ_kFqM5ShI/AAAAAAAAJWA/fuA1IqSy2FEqc_qxPghLFkRUa14RO0UuwCLcBGAsYHQ/s400/Outlook-gf4rzp5u.png"/></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Photo : Marie Hélène Massy Émond</span></div>
</div>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-2778345946417658012020-10-16T13:40:00.001-07:002021-05-16T13:42:20.787-07:002020 . EXPLORATIONS SPÉCULATIVES . Production : Verticale (......)<table><tbody>
<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;"><span style="background-color: #eeeeee;">Explorations spéculatives
</span><a href=""><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />Production : Verticale, centre d'art actuel, Laval (QC). Commissaire : Eric Mattson. Juillet à octobre 2020.
Résidences à distance d'artistes et production d'œuvres audiovisuelles : Alexandre Bérubé, Frédérique Laliberté. Guillaume Pascale
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</tbody></table>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-11818531301365213392019-12-01T08:07:00.002-08:002021-05-15T10:56:41.651-07:002019 . Tsonami Festival de Arte Sonoro. Pre-explorations : Valparaiso, signes de la lutte<div dir="ltr" style="text-align: left;" trbidi="on">
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<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-A04re8o7NWc/YJ_jrRarCMI/AAAAAAAAJV4/Wno7spcNfykDyb4iI5wZCL0A8iy3ZZ3OgCLcBGAsYHQ/s6000/2019-11-21-Sony_00008.JPG" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" width="400" data-original-height="3376" data-original-width="6000" src="https://1.bp.blogspot.com/-A04re8o7NWc/YJ_jrRarCMI/AAAAAAAAJV4/Wno7spcNfykDyb4iI5wZCL0A8iy3ZZ3OgCLcBGAsYHQ/s400/2019-11-21-Sony_00008.JPG"/></a></div>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-10627554363859864462019-11-19T00:30:00.004-08:002021-05-15T10:56:28.775-07:002019 . Tsonami Festival de Arte Sonoro. Recherches sur la place de l'artiste dans un régime néo-libéral.<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Valparaiso, novembre 2019. La période résidence de ce festival d'art sonore vient de commencer : aujourd'hui réunion de tous les artistes déjà présent.e.s et des membres de l'équipe afin d'établir ensemble les premières directions de travail, dont l'installation de toutes et tous dans un hôtel désaffecté du centre-ville, un partage des informations tant sur les trois semaines d'explorations artistiques à venir que sur les usages à connaître pour celles et ceux qui désirent joindre les manifestations en cours qui opposent de nombreux protestataires "enthousiastes" et déterminé.e.s au gouvernement en place et à sa police musclée et meurtrière (vraiment !).</span><br />
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-21320037646082724302019-11-03T12:02:00.003-08:002021-05-15T10:56:58.614-07:002019 . Tsonami Festival de Arte Sonoro. "Senses and Sounds". Commisaire : Eric Mattson<div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/-uAxX2VI9HUE/YJ_jSiCTGWI/AAAAAAAAJVw/gdICRWjptBIxJYEcEbBoV5NXlp6reXSHACLcBGAsYHQ/s1600/Eric_tsonami.jpg" style="display: block; padding: 1em 0; text-align: center; clear: left; float: left;"><img alt="" border="0" height="400" data-original-height="1600" data-original-width="1200" src="https://1.bp.blogspot.com/-uAxX2VI9HUE/YJ_jSiCTGWI/AAAAAAAAJVw/gdICRWjptBIxJYEcEbBoV5NXlp6reXSHACLcBGAsYHQ/s400/Eric_tsonami.jpg"/></a></div><div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="FR-CA" style="line-height: 150%;">18 Novembre 209. En fait ce qui suit est du passé, les événements récents au Chili et en Amérique du Sud se sont introduits avec insistance dans ce festival inusité : si la ville de Valparaiso est toujours un enjeu important, étant l'espace de développement puis de présentations des œuvres qui seront éventuellement produites ces prochains jours, chacun.e des artistes présent.e.s a à se questionner sur son rôle dans une société au bord du gouffre, un pays où plus de 80% de la population appuie les manifestations en cours et les demandes sociales qu'elles sous-tendent. Jamais un festival ne sera plus prêt dans son expression que Tsonami de la fracture sociale existante, de cette critique désespérée d'un régime qui donne de moins en moins aux pauvres qu'il a formé, s'adjugeant tous les bénéfices d'un néo-libéralisme déchainé.
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span lang="FR-CA" style="line-height: 150%;">Tsonami
est un festival international qui se déploie à Valparaiso au Chili depuis 2007.
C’est une rencontre annuelle appréciée d’artistes d’Amérique Centrale et du Sud
d’Europe, d’Asie et d’Amérique du Nord. Tsonami qui a débuté de façon
traditionnelle avec des présentations en concerts et des expositions en galerie
connait un rayonnement exponentiel grâce à ses prises de position innovatrices,
ses recherches d’accord entre <span style="mso-spacerun: yes;"> </span>les
contenus et les modes de diffusion. </span><span lang="FR-CA" style="line-height: 150%;">Lier les arts et la société
civile est l’objectif principal de sa direction, prête chaque année à
reconsidérer ses acquis afin d’offrir aux artistes des tribunes où exprimer pleinement
leur créativité. </span><span lang="FR-CA" style="line-height: 150%;">Les
dates de l’édition 2019 sont du 18 novembre au 2 décembre 2019 pour la période
préliminaire d’explorations, et d’expérimentations, puis du 3 au 8 décembre
pour la période de diffusion, dument appelée le festival. Cette dernière présente
dans des endroits publics choisis par les artistes, à travers la ville, sur ses
plages ou en mer, les œuvres finalisées, développées sur le thème imposé à
toutes et tous </span><span lang="FR-CA" style="line-height: 150%;"><span style="mso-spacerun: yes;"> </span>« Valparaiso et les sons »</span><span lang="FR-CA" style="line-height: 150%;">.</span><span lang="FR-CA" style="line-height: 150%;"> j’y
ajouterai « les sens » puisque l’éveil à cette ville captivante ne
peut se faire que par l’écoute. </span><span lang="FR-CA" style="line-height: 150%;">Tous les aspects de la ville peuvent être considérés. (</span><span lang="EN-US" style="line-height: 150%;"><a href="http://www.tsonami.cl/">http://www.tsonami.cl</a>)<o:p></o:p></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span lang="FR-CA" style="letter-spacing: -0.1pt; line-height: 150%;">Pour son
édition 2019, </span><span lang="FR-CA" style="line-height: 150%;">continuant une transformation entamée depuis
quatre années, Tsonami s’associe à cinq commissaires internationaux qui ont
comme responsabilité de constituer la majorité de sa programmation. Je suis
l’un d’eux.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">La demande qui m’a été transmise n’est pas de
transposer ce qui fut toujours présenté dedans soudainement dehors (!) ; elle
consiste plutôt à établir et développer des positions artistiques qui prennent
pleinement en considération les possibilités spatiales et sonores de la ville,
les activités de ses habitants, qui lient les imaginaires créatifs avec
l’existence au quotidien ; des productions qui ne sauraient trouver refuge dans
des espaces scéniques intérieures.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">En accord avec la direction du festival, j’ai composé un
groupe d’artistes internationaux qui partagent des intérêts et des orientations
communes, qui apprécient mon offre d’une recherche et d’une création basé sur
l’entraide, le partage des connaissances et éventuellement la livraison de
créations collectives.</span><br />
<span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 22px;">J’ai donc invité Alexandre Burton à joindre ce groupe et à considérer la diffusion en avant- première mondiale de son œuvre en développement (vide)</span><span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 22px;">. </span><span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 22px;">Alexandre exerce son métier de luthier numérique au cœur de nombreux projets collégiaux et ses recherches récentes portent sur les forces magnétiques, un champ de recherche atypique envisagé par d’autres participants du groupe.</span><span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 22px;"> C</span><span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 22px;">andidat idéal, il</span><span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 22px;"> a accepté.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 150%;">Cinq
artistes internationaux, autour de Alexandre Burton<o:p></o:p></span></b></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span lang="FR-CA" style="letter-spacing: -0.1pt; line-height: 150%; text-align: left;">En sus de Alexandre Burton, quatre artistes constituent ce groupe dont je
supervise les activités : le Berlinois
d’origine britannique <u>Martin Howse</u>, artiste intéressé aux interactions
entre les phénomènes physiques terrestres et les individus ; <u>Pali Meursault</u>,
compositeur français, spécialiste de la transmission radio et des actions
collectives urbaines ; <u>Elico Suzuki</u>,
Suzueri, artiste médiatique et sonore de Tokyo qui étudie le dialogue entre le
musicien et ses instruments ;</span><span lang="FR-CA" style="letter-spacing: -0.1pt; line-height: 150%; text-align: left;"> <u>Martin
Bakero</u>, électroacousticien chilien
résidant en France, qui propose de nettoyer Valparaiso par l’entremise de
« bains de bruits blancs ».</span></span></div>
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<span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 150%;">Mes divers mandats, lors de cette édition 2019, sont
les suivants :</span></div>
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<span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; line-height: 150%;">- Diriger chaque jour, du 18 novembre au 2 décembre, des
ateliers de travail sur les modalités d’interventions artistiques en milieu
urbain en prenant en considération la collaboration comme vecteur de travail
principal et le son comme matériau principal. Les artistes et moi envisageons,
lors de ceux-ci, <span style="mso-spacerun: yes;"> </span>d’hors et déjà, un partage
de nos connaissances, de nos recherches et de nos trouvailles, celles notamment
cueillies lors de marches dans la ville, à l’écoute de celle-ci, à la
découverte d’espaces stimulant au niveau architectural, spatiale, humain et
sonore. Nous parlons, échangeons, cherchons conseils, augmentons nos
connaissances et nos vocabulaires. Nous évoquons des trajectoires communes,
d’éventuelles réalisations collectives. Nous évaluons les possibilités à les
réaliser pendant le festival, heureux de marquer une différence dans la
programmation, offrant à l’assistance de nouvelles situations inattendues. Ces
ateliers sans local** défini sont aussi, pour chacun et chacune, l’étape pour adapter
à ce contexte précis leurs œuvres individuelles qu’ils ont, dans un passé récent,
conceptualisées, réalisées ou anticipées.</span><br />
<span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">- </span><span lang="FR-CA" style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; letter-spacing: -0.1pt;">Ensuite, superviser,
du 3 au 8 décembre 2019, la diffusion des réalisations individuelles et
collectives de ma section lors du festival proprement dit. Cette étape implique
des rencontres logistiques avec l’équipe technique de Tsonami, l’établissement d’un
calendrier des présentations publiques en partenariat avec la responsable des
communications et un soutien de tous les instants à Alexandre Burton et ses
pairs</span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"></span></div>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-81968931080509212602019-10-15T08:05:00.001-07:002021-05-15T10:57:21.708-07:002019 . TERRITOIRES ; EXPLORATIONS (5) : François Quévillon. esker / lithium<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td align="left" colspan="3" width="“400”"><span style="font-size: xx-small;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITOIRES ; EXPLORATIONS.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinq artistes sonores et numériques portent leur attention sur divers sujets environnementaux en lien à la perception et à l’exploitation du territoire. Ces projets ancrés dans des milieux québécois spécifiques réfléchissent de manière ponctuelle à des problématiques sensibles au niveau planétaire. Plusieurs étapes marquent les réalisations : prospection, relation avec des institutions locales agissant comme facilitateurs et intermédiaires, captation numérique de données, création, production et diffusion sur les territoires choisis.</span></span></td></tr>
<tr><td align="left" colspan="3" width="“400”"><span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIOS ; EXPLORACIONES</span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinco artistas de sonido y digitales se enfocan en varios temas ambientales relacionados con la percepción y explotación del territorio. Estos proyectos, anclados en entornos específicos de Quebec, reflejan ad hoc en temas sensibles a nivel global. Varias etapas marcan los logros: prospección, relación con instituciones locales que actúan como facilitadores e intermediarios, captura digital de datos, creación, producción y difusión en los territorios elegidos.</span></td></tr>
<tr><td align="left" colspan="3" width="“400”"><span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIES ; EXPLORATIONS<br />Five sound and digital artists focus on several environmental issues related to the perception and exploitation of the territory. These projects, anchored in specific Quebec environments, reflect ad hoc on globally sensitive issues. Several stages mark the achievements: prospecting, relationship with local institutions that act as facilitators and intermediaries, digital capture of data, creation, production and dissemination in the chosen territories. </span></td></tr>
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<td align="left" width="“400”"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; margin-left: 1em; margin-right: 1em;"><span style="color: #999999; text-align: left;">Commissaire et photographe / Comisario y fotografo / Curator and photographer : Eric Mattson</span></span></td>
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<td align="right" width="“400”"><a href="https://1.bp.blogspot.com/-XcYNaHgOAtY/Xb-TN3XhgGI/AAAAAAAAIyY/tBVDe_X1nwcAdiL_Lsa15ypXVIJvUYYngCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_813.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-XcYNaHgOAtY/Xb-TN3XhgGI/AAAAAAAAIyY/tBVDe_X1nwcAdiL_Lsa15ypXVIJvUYYngCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_813.JPG" width="“400”" /></a><a href="https://1.bp.blogspot.com/-_ir4An5CCNQ/Xb-THKmEONI/AAAAAAAAIyQ/mrGiQIbgcO0rUfZpv8RJDoqpScdadbvFgCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_789.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-_ir4An5CCNQ/Xb-THKmEONI/AAAAAAAAIyQ/mrGiQIbgcO0rUfZpv8RJDoqpScdadbvFgCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_789.JPG" width="“400”" /></a></td></tr>
<tr><td align="left" width="“400”"><a href="https://1.bp.blogspot.com/-WJliLkMaXo4/Xb-TGw8HDWI/AAAAAAAAIyI/4CC5IJ87GmwZpAvFfkjWeL-ne-z-RuACACLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_797.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-WJliLkMaXo4/Xb-TGw8HDWI/AAAAAAAAIyI/4CC5IJ87GmwZpAvFfkjWeL-ne-z-RuACACLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_797.JPG" width="400" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-Es9gM50uB1A/Xb-TG2QiM7I/AAAAAAAAIyM/UTwcCx9PJjQsjttJfTu7wvOQNSMaCJWFACLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_807.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-Es9gM50uB1A/Xb-TG2QiM7I/AAAAAAAAIyM/UTwcCx9PJjQsjttJfTu7wvOQNSMaCJWFACLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_807.JPG" width="“400”" /></a></td></tr>
<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-O421Fuq2JIw/Xb-TOENVGRI/AAAAAAAAIyc/Xk4RQcLzyespemkezesz3os9BoTokiJvQCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_820.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-O421Fuq2JIw/Xb-TOENVGRI/AAAAAAAAIyc/Xk4RQcLzyespemkezesz3os9BoTokiJvQCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_820.JPG" width="400" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-a7ho93OCsmY/Xb-TULCtyGI/AAAAAAAAIyg/w20omyrslVU2xJBYh5vJrVUxi2Aj5XuaQCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_822.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-a7ho93OCsmY/Xb-TULCtyGI/AAAAAAAAIyg/w20omyrslVU2xJBYh5vJrVUxi2Aj5XuaQCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_822.JPG" width="400" /></a></td></tr>
<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-a8L-csIiQCI/Xb-TVYFx8eI/AAAAAAAAIyk/jCWF7I21tZUJyy0nPd1-bX9AcmtNsRYlQCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_823.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-a8L-csIiQCI/Xb-TVYFx8eI/AAAAAAAAIyk/jCWF7I21tZUJyy0nPd1-bX9AcmtNsRYlQCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_823.JPG" width="“400”" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-mEyEu299UUY/Xb-TVvo7XEI/AAAAAAAAIyo/xR92ylvZuVgNhPPdQcpOqx5yzocBpRhSwCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_831.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-mEyEu299UUY/Xb-TVvo7XEI/AAAAAAAAIyo/xR92ylvZuVgNhPPdQcpOqx5yzocBpRhSwCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_831.JPG" width="“400”" /></a></td></tr>
<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-MMXp4UhM8xQ/Xb-TaFWyn8I/AAAAAAAAIy0/tRn7KOxXbGYYJCFT31YqX2K03JIStXC8QCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_836.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-MMXp4UhM8xQ/Xb-TaFWyn8I/AAAAAAAAIy0/tRn7KOxXbGYYJCFT31YqX2K03JIStXC8QCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_836.JPG" width="“400”" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-81iMh25Rdgg/Xb-Tc-XNY2I/AAAAAAAAIy4/dqHXgNb3M-wi7U8k2BJFZDPM2IfNeiaQQCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_839.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-81iMh25Rdgg/Xb-Tc-XNY2I/AAAAAAAAIy4/dqHXgNb3M-wi7U8k2BJFZDPM2IfNeiaQQCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_839.JPG" width="“400”" /></a></td></tr>
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<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-qYIA4fceHbw/Xb-TetanjWI/AAAAAAAAIzA/d3PnjvaQll0rC7yrA6-bwuANqHFWOa07gCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_850.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-qYIA4fceHbw/Xb-TetanjWI/AAAAAAAAIzA/d3PnjvaQll0rC7yrA6-bwuANqHFWOa07gCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_850.JPG" width="“400”" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-PEHPDJgpEPI/Xb-TzSp89LI/AAAAAAAAIzg/Vkoq7jZdTtMs334zDSx2xr9mVJHOCsOmwCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_793.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-PEHPDJgpEPI/Xb-TzSp89LI/AAAAAAAAIzg/Vkoq7jZdTtMs334zDSx2xr9mVJHOCsOmwCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_793.JPG" width="“400”" /></a></td></tr>
<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-7mIGauVoFNk/Xb-TzpXiwGI/AAAAAAAAIzk/ovuVZKClQTQZJ3bBClSZFNYqmG3sF8LnwCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_806.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-7mIGauVoFNk/Xb-TzpXiwGI/AAAAAAAAIzk/ovuVZKClQTQZJ3bBClSZFNYqmG3sF8LnwCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_806.JPG" width="“400”" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-sdZ_0ivIMR0/Xb-TzTe3ZuI/AAAAAAAAIzc/EJn8I_5VT48NXiF98uF-wxKNCncde1yzgCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_810.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-sdZ_0ivIMR0/Xb-TzTe3ZuI/AAAAAAAAIzc/EJn8I_5VT48NXiF98uF-wxKNCncde1yzgCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_810.JPG" width="“400”" /></a></td></tr>
<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-dg9MYJTwfTI/Xb-T5MR__vI/AAAAAAAAIzo/noXtxUZ9jaAggvP-pL2-6gZQgeLC4NFaACLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_816.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-dg9MYJTwfTI/Xb-T5MR__vI/AAAAAAAAIzo/noXtxUZ9jaAggvP-pL2-6gZQgeLC4NFaACLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_816.JPG" width="“400”" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-_ZNxfvTuj_I/Xb-T6YkDJ1I/AAAAAAAAIzs/8IRBYo4eHQ8I114tx55MmDcIqtbZ0hmjwCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_829.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-_ZNxfvTuj_I/Xb-T6YkDJ1I/AAAAAAAAIzs/8IRBYo4eHQ8I114tx55MmDcIqtbZ0hmjwCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_829.JPG" width="“400”" /></a></td></tr>
<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-N5RY25frwMw/Xb-T6vkO72I/AAAAAAAAIzw/NJ0n9zQGTJYcUflsS9ZaoLocyShoXy0oACLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_835.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-N5RY25frwMw/Xb-T6vkO72I/AAAAAAAAIzw/NJ0n9zQGTJYcUflsS9ZaoLocyShoXy0oACLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_835.JPG" width="“400”" /></a></td><td align="center"></td><td align="right" width="400"></td></tr>
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<tr><td align="left" width="400"><a href="https://1.bp.blogspot.com/-_aOQFXPUqTY/Xb-UCGW7cbI/AAAAAAAAIz8/vJ8mEOaCodgXALE3aSN7fD7Xv4SioBPQQCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_845.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-_aOQFXPUqTY/Xb-UCGW7cbI/AAAAAAAAIz8/vJ8mEOaCodgXALE3aSN7fD7Xv4SioBPQQCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_845.JPG" width="“400”" /></a></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-wqxnYb6K_34/Xb-UDFrFlZI/AAAAAAAAI0A/bevKY_24aYQtECzT1pU1luHgFyX10XU_ACLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_847.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-wqxnYb6K_34/Xb-UDFrFlZI/AAAAAAAAI0A/bevKY_24aYQtECzT1pU1luHgFyX10XU_ACLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_847.JPG" width="“400”" /></a></td></tr>
<tr><td align="left" width="400"></td><td align="center"></td><td align="right" width="400"><a href="https://1.bp.blogspot.com/-lxD1lfCYazY/Xb-T9xz1EZI/AAAAAAAAIz0/Co-i-2EgXa43cDZlisgsMbpxTmdR7AIBgCLcBGAsYHQ/s1600/2019-10-14-SaintMathieuHarricana_841.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://1.bp.blogspot.com/-lxD1lfCYazY/Xb-T9xz1EZI/AAAAAAAAIz0/Co-i-2EgXa43cDZlisgsMbpxTmdR7AIBgCLcBGAsYHQ/s320/2019-10-14-SaintMathieuHarricana_841.JPG" width="“400”" /></a></td></tr>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-36844467665918100852019-09-09T08:03:00.001-07:002021-05-15T10:57:35.093-07:002019 . TERRITOIRES ; EXPLORATIONS (4) : Marc-Alexandre Reinhardt. Visa le Noir, Tira le Blanc<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITOIRES ; EXPLORATIONS.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinq artistes sonores et numériques portent leur attention sur divers sujets environnementaux en lien à la perception et à l’exploitation du territoire. Ces projets ancrés dans des milieux québécois spécifiques réfléchissent de manière ponctuelle à des problématiques sensibles au niveau planétaire. Plusieurs étapes marquent les réalisations : prospection, relation avec des institutions locales agissant comme facilitateurs et intermédiaires, captation numérique de données, création, production et diffusion sur les territoires choisis.</span><br />
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<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIOS ; EXPLORACIONES</span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinco artistas de sonido y digitales se enfocan en varios temas ambientales relacionados con la percepción y explotación del territorio. Estos proyectos, anclados en entornos específicos de Quebec, reflejan ad hoc en temas sensibles a nivel global. Varias etapas marcan los logros: prospección, relación con instituciones locales que actúan como facilitadores e intermediarios, captura digital de datos, creación, producción y difusión en los territorios elegidos.</span><br />
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<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIES ; EXPLORATIONS<br />Five sound and digital artists focus on several environmental issues related to the perception and exploitation of the territory. These projects, anchored in specific Quebec environments, reflect ad hoc on globally sensitive issues. Several stages mark the achievements: prospecting, relationship with local institutions that act as facilitators and intermediaries, digital capture of data, creation, production and dissemination in the chosen territories. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; margin-left: 1em; margin-right: 1em;"><span style="color: #999999; text-align: left;">Commissaire et photographe / Comisario y fotografo / Curator and photographer : Eric Mattson</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Territoires ; Explorations (4)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Marc-Alexandre Reinhardt, 26 aout au 5 septembre 2019</span><br />
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Îles de la Madeleine, QC, Canada47.3877013 -61.90119770000001244.6347553 -67.064771700000009 50.140647300000005 -56.737623700000015tag:blogger.com,1999:blog-4676538822717263643.post-88047850900596557582019-08-19T07:55:00.001-07:002021-05-15T10:57:55.512-07:002019 . TERRITOIRES ; EXPLORATIONS (3) : Douglas Scholes. Le dépotoir rangé de Réjean<div dir="ltr" style="text-align: left;" trbidi="on">
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<td align="left" colspan="3"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITOIRES ; EXPLORATIONS.<br />
Cinq artistes sonores et numériques portent leur attention sur divers sujets environnementaux en lien à la perception et à l’exploitation du territoire. Ces projets ancrés dans des milieux québécois spécifiques réfléchissent de manière ponctuelle à des problématiques sensibles au niveau planétaire. Plusieurs étapes marquent les réalisations : prospection, relation avec des institutions locales agissant comme facilitateurs et intermédiaires, captation numérique de données, création, production et diffusion sur les territoires choisis.</span><br />
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<tr><td align="left" colspan="3"><span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIOS ; EXPLORACIONES<br />Cinco artistas de sonido y digitales se enfocan en varios temas ambientales relacionados con la percepción y explotación del territorio. Estos proyectos, anclados en entornos específicos de Quebec, reflejan ad hoc en temas sensibles a nivel global. Varias etapas marcan los logros: prospección, relación con instituciones locales que actúan como facilitadores e intermediarios, captura digital de datos, creación, producción y difusión en los territorios elegidos.</span><br />
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<tr><td align="left" colspan="3"><span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIES ; EXPLORATIONS<br />Five sound and digital artists focus on several environmental issues related to the perception and exploitation of the territory. These projects, anchored in specific Quebec environments, reflect ad hoc on globally sensitive issues. Several stages mark the achievements: prospecting, relationship with local institutions that act as facilitators and intermediaries, digital capture of data, creation, production and dissemination in the chosen territories.</span>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; margin-left: 1em; margin-right: 1em;"><span style="color: #999999; text-align: left;">Commissaire et photographe / Comisario y fotografo / Curator and photographer : Eric Mattson</span></span></td></tr>
<tr><td align="center" colspan="3"><a href="http://3.bp.blogspot.com/-EiSxsdyORb8/XTiRETtj3pI/AAAAAAAAIcc/HK6Xpau9HJQR62dLM42scc8bIY87if-uACK4BGAYYCw/s1600/CA209018.JPG" imageanchor="1"><img border="0" src="https://3.bp.blogspot.com/-EiSxsdyORb8/XTiRETtj3pI/AAAAAAAAIcc/HK6Xpau9HJQR62dLM42scc8bIY87if-uACK4BGAYYCw/s640/CA209018.JPG" width="640" /></a></td></tr>
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<tr><td width="400"><span align="left"style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Territoires ; Explorations (3)
<br />Douglas Scholes, Le dépotoir rangé de Réjean<br />Ville-Marie, Témiscamingue<br />Étude du 17 au 20 juin 2019<br />
Exploration, création du 11 au 17 aout 2019
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La Grande Chute, Opémican (artiste à l'affut !)
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<br />Sur la route, Témiscamingue</span></td>
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<tr><td align="left"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Musée de la gare<br />Témiscaming</span></td>
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<td align="right" width="400"><a href="https://1.bp.blogspot.com/-7L_NAiGpgQ0/XTc0p1-xfpI/AAAAAAAAIFM/AT-49fcnwq4ekJrMULOIANAA2Hz1Qm7TACLcBGAs/s1600/IMG_8622.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" src="https://1.bp.blogspot.com/-7L_NAiGpgQ0/XTc0p1-xfpI/AAAAAAAAIFM/AT-49fcnwq4ekJrMULOIANAA2Hz1Qm7TACLcBGAs/s320/IMG_8622.JPG" width="400" /></a></td></tr>
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<tr><td align="left" colspan="3"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">La Grande Chute, Opémican</span></td></tr>
<tr><td align="left"><a href="https://1.bp.blogspot.com/-SCuo3vn6Q8E/XTc2xxIaoxI/AAAAAAAAIIQ/9toHsq1Sa7sbG59sTx5tIvCFb-QiVPVaACLcBGAs/s1600/CA209128.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="901" data-original-width="1600" src="https://1.bp.blogspot.com/-SCuo3vn6Q8E/XTc2xxIaoxI/AAAAAAAAIIQ/9toHsq1Sa7sbG59sTx5tIvCFb-QiVPVaACLcBGAs/s320/CA209128.JPG" width="400" /></a></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Vue du Lac Kipawa</span><br />
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<tr><td colspan="3" style="text-align: left;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Lac Témiscamingue, Ville-Marie</span>
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<td style="text-align: left;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Musée Réva, Ville-Marie</span>
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<td align="left"><a href="https://1.bp.blogspot.com/-uMqiWEW__uk/XTc1YhdxogI/AAAAAAAAIGM/RaUfDLQSevo4ybSiynRCrLXlSNVfzn61wCLcBGAs/s1600/CA208991.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="901" data-original-width="1600" src="https://1.bp.blogspot.com/-uMqiWEW__uk/XTc1YhdxogI/AAAAAAAAIGM/RaUfDLQSevo4ybSiynRCrLXlSNVfzn61wCLcBGAs/s320/CA208991.JPG" width="400" /></a>
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<tr><td align="left" width="400"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; text-align: center;">Site d'enfouissement de Laniel. Témiscamingue</span></td><td align="center"></td><td align="right" width="400"></td></tr>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Ville-Marie, QC, Canada47.332192199999987 -79.43680269999998747.289144699999987 -79.517483699999985 47.375239699999987 -79.356121699999989tag:blogger.com,1999:blog-4676538822717263643.post-27748568304612714412019-08-06T07:53:00.001-07:002021-05-15T11:03:46.326-07:002019 . TERRITOIRES ; EXPLORATIONS (2) : Mathieu Latulippe. Anticosti.<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITOIRES ; EXPLORATIONS.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinq artistes sonores et numériques portent leur attention sur divers sujets environnementaux en lien à la perception et à l’exploitation du territoire. Ces projets ancrés dans des milieux québécois spécifiques réfléchissent de manière ponctuelle à des problématiques sensibles au niveau planétaire. Plusieurs étapes marquent les réalisations : prospection, relation avec des institutions locales agissant comme facilitateurs et intermédiaires, captation numérique de données, création, production et diffusion sur les territoires choisis.</span><br />
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<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIOS ; EXPLORACIONES</span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinco artistas de sonido y digitales se enfocan en varios temas ambientales relacionados con la percepción y explotación del territorio. Estos proyectos, anclados en entornos específicos de Quebec, reflejan ad hoc en temas sensibles a nivel global. Varias etapas marcan los logros: prospección, relación con instituciones locales que actúan como facilitadores e intermediarios, captura digital de datos, creación, producción y difusión en los territorios elegidos.</span><br />
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<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIES ; EXPLORATIONS<br />Five sound and digital artists focus on several environmental issues related to the perception and exploitation of the territory. These projects, anchored in specific Quebec environments, reflect ad hoc on globally sensitive issues. Several stages mark the achievements: prospecting, relationship with local institutions that act as facilitators and intermediaries, digital capture of data, creation, production and dissemination in the chosen territories. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; margin-left: 1em; margin-right: 1em;"><span style="color: #999999; text-align: left;">Commissaire et photographe / Comisario y fotografo / Curator and photographer : Eric Mattson</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Territoires ; Explorations (02)</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Projet de Mathieu Latulippe à l'île d'Anticosti du 30 juillet au 4 aout 2019 </span></div>
Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Île d'Anticosti, L'Île-d'Anticosti, QC G0G, Canada49.5495194 -62.95553180000001748.2296894 -65.537318800000023 50.869349400000004 -60.373744800000019tag:blogger.com,1999:blog-4676538822717263643.post-60345577718692951252019-07-08T11:32:00.002-07:002021-05-15T11:02:10.921-07:002019 . TERRITOIRES ; EXPLORATIONS (1) : Camille Bernard-Gravel ; Entrevues, La Piscine, Enracinement<div dir="ltr" style="text-align: left;" trbidi="on">Camille Bernard-Gravel. Entrevues & La Piscine
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span style="text-align: center;">Entrevue avec </span>Catherine Bélanger de la Ferme des Pensées Sauvages, Saint-Jean-Port-Joli</span><br />
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<span style="font-size: x-small;"><span style="text-align: center;">Entrevue avec </span><span style="font-family: "calibri" , "helvetica" , sans-serif;"><span style="font-family: "calibri" , "helvetica" , sans-serif;">Nicolas St-Pierre de la Ferme du Siffle-Orange</span>, Saint-Jean-Port-Joli</span></span><br />
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<span style="font-size: x-small;">Visite au Havre du Quai, Saint-Roch-des-Aulnaies</span><br />
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<span style="font-size: x-small;">Projet : La Roche</span></div>
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<span style="font-size: x-small;">Entrevue avec Patrice Fortier de La Société des Plantes, Kamouraska</span></div>
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<span style="font-size: x-small;">Projet de Camille Bernard Gravel : La Piscine ;</span><br />
<span style="font-size: x-small;">Seconde visite au Havre du Quai, Saint-Roch-des-Aulnaies</span><br />
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<span style="font-size: x-small;">La Roche le lendemain après une marée haute</span><br />
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<div dir="ltr" style="text-align: left;" trbidi="on">Camille Bernard-Gravel. Enracinement
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITOIRES ; EXPLORATIONS.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinq artistes sonores et numériques portent leur attention sur divers sujets environnementaux en lien à la perception et à l’exploitation du territoire. Ces projets ancrés dans des milieux québécois spécifiques réfléchissent de manière ponctuelle à des problématiques sensibles au niveau planétaire. Plusieurs étapes marquent les réalisations : prospection, relation avec des institutions locales agissant comme facilitateurs et intermédiaires, captation numérique de données, création, production et diffusion sur les territoires choisis.</span><br />
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<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIOS ; EXPLORACIONES</span><br />
<span style="color: #444444; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinco artistas de sonido y digitales se enfocan en varios temas ambientales relacionados con la percepción y explotación del territorio. Estos proyectos, anclados en entornos específicos de Quebec, reflejan ad hoc en temas sensibles a nivel global. Varias etapas marcan los logros: prospección, relación con instituciones locales que actúan como facilitadores e intermediarios, captura digital de datos, creación, producción y difusión en los territorios elegidos.</span><br />
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<span style="color: #666666; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">TERRITORIES ; EXPLORATIONS<br />Five sound and digital artists focus on several environmental issues related to the perception and exploitation of the territory. These projects, anchored in specific Quebec environments, reflect ad hoc on globally sensitive issues. Several stages mark the achievements: prospecting, relationship with local institutions that act as facilitators and intermediaries, digital capture of data, creation, production and dissemination in the chosen territories. </span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; margin-left: 1em; margin-right: 1em;"><span style="color: #999999; text-align: left;">Commissaire et photographe / Comisario y fotografo / Curator and photographer : Eric Mattson</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small; text-align: center;">Camille Bernard-Gravel, ENRACINEMENT</span></div>
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<tr><td align="center" colspan="3"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Installation in-situ, Motel Cap-Blanc, Kamouraska. 05...08-07-2019</span></td></tr>
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<div style="margin-bottom: 6px;">
<span style="color: black; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Jour 7, 7 juillet / Dia 7, julio 7/ day 7, july 7, 2019
</span><br /><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">
Présentation publique de l'installation de Camille Bernard-Gravel, ENRACINEMENT, sur la grève du Motel Cap Blanc, Kamouraska, lors de l'événement de performances collectives, initiées par Les Incomplètes, dans le cadre de l'exposition Les Berçantes, présentée(s) par le Centre d'art de Kamouraska.</span></span></div>
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<tr><td align="left" colspan="3"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Enracinement : deux mois plus tard</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Territoire ou milieu?</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Nos explorations ont été marquées par des considérations liées au territoire… que je préférais nommer milieu. Ma propension à parler de milieu plutôt que de territoire tient sans doûte du fait que ce mot éveille davantage l’idée d’êtres, d’objets et d’éléments naturels interdépendants, faisant partie d’un système complexe (je lisais à ce moment Médiance, d’Augustin Berque). Le concept de territoire, dans mon esprit, réfère davantage à un espace ou à une superficie explorée d’un point de vue qui serait plus à distance (politique, frontière, population).</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Entrevues</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Cinq entrevues ont été réalisées avec des habitants des régions de Kamouraska et des alentours de Saint-Jean-Port-Joli. Nous avons rencontré des cultivateurs, un semencier, des artistes et une femme au savoir très riche qui a participé à la fondation du Musée de la mémoire vivante. Tous m’ont semblé littéralement enracinés à leur milieu, que ce soit par leur lien à la terre, à leur communauté, à l’histoire de la place, ou par l’amour qu’ils portent pour le paysage qui les entoure. Un fort sentiment d’appartenance se dégageait de leur témoignage.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Mes questionnements concernaient le milieu de vie et le sacré, en lien avec la nature et la culture (de la terre comme de l’esprit). Même si chacun n’avait pas décrit comme sacrée la nature de leur lien avec leur environnement, je ne peux m’empêcher de croire qu’il y avait un brin de cela. Ils vouaient à leur milieu de vie un respect absolu, c’était pour eu un lieu inviolable à protéger. Nos conversations ont abordé les sujets de l’environnement, de retour vers des pratiques plus saines, de culture bio, de l’importance de la préservation des paysages, etc.</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">S’enraciner dans un lieu par l’action</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Portée par mes discussions avec ces gens qui me semblaient être en communion avec leur milieu, j’ai entrepris la réalisation d’actions qui, je l’espèrerais, accélèreraient l’apparition d’une forte liaison entre moi et le lieu, d’un lien qui me ferait vivre un début d’enracinement. J’ai perçu que pour les interviewés, le fait d’observer la nature se métamorphoser autour d’eux et de créer quelque chose avec la nature, dans un acte de co-création, était un facteur d’attachement déterminant.
En collaboration avec les marées, j’ai fait une intervention sur la grève du fleuve à Kamouraska. Jour après jour, je plaçais des éléments autour d’une grosse souche blanchie par l’eau saline. La marée agissait sur mon travail pendant la nuit, puis j’intervenais à nouveau en respectant son apport. Ces actes nous ont non seulement laissé apercevoir l’impact de l’humain sur son environnement — puisque la mer nous a apporté de multiples déchets et même une palette de bois transportant des algues —, mais également sa puissance et son caractère changeant. Chaque nouveau jour réservait ses surprises : force et sens du vent, hauteur de la marée et bien d’autres facteurs influençaient ce que les vagues allaient m’offrir.</span><br />
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<tr><td align="left"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Prospection: 05-2019</span>
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<td align="right"><a href="https://1.bp.blogspot.com/-j3k7NR1SAjg/XTc7r8KTkEI/AAAAAAAAIJ8/W-bUPBQGmYw83okbEgn3p9pOwCIaiKbtgCLcBGAs/s1600/2019-05-28-Exploration-1-Kamouraska8684.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://1.bp.blogspot.com/-j3k7NR1SAjg/XTc7r8KTkEI/AAAAAAAAIJ8/W-bUPBQGmYw83okbEgn3p9pOwCIaiKbtgCLcBGAs/s320/2019-05-28-Exploration-1-Kamouraska8684.JPG" width="320" /></a>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Kamouraska, QC G0L 1M0, Canada47.566059 -69.86599522.044024500000003 -111.174589 73.0880935 -28.557401tag:blogger.com,1999:blog-4676538822717263643.post-91252303619093284562019-03-11T08:30:00.002-07:002021-05-15T11:02:54.371-07:002019 . François Quévillon. CONDUITE ALGORITHMIQUE, en tournée (4/4). MA Musée d'art, Rouyn-Noranda<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">FRANÇOIS QUÉVILLON</span></span>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Conduite algorithmique</i></span></div>
<span lang="FR-CA" style="line-height: 115%;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Du 11 octobre au 8 décembre 2019</span></span><br />
<span style="font-size: x-small;">Commissaire : Eric Mattson</span><br />
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Quatre œuvres récentes de l’artiste François Quévillon : <i>Manœuvres</i>, <i>Le Rétroviseur</i>, <i>La Voiture sans conducteur dans l’au-delà</i>, ainsi que <i>Conduite algorithmique</i> composent cette exposition. <i>Conduite algorithmique</i> donne son titre à ce corpus qui synthétise les recherches de François Quévillon sur l’automatisation des transports, développée grâce à des systèmes informatiques qui analysent les données provenant de caméras et de multitudes de capteurs installés sur les véhicules. Afin de nous introduire à ces concepts sous un jour artistique, l’artiste s’accapare des procédures algorithmiques utilisées en robotique et sur Internet inscrivant ainsi son œuvre dans un système de relations qui dépasse largement le simple monde de l’art. Faisant échos aux véhicules autonomes et à diverses techniques de surveillance qui impliquent la collecte et l'analyse de données, cette exposition démontre une recherche approfondie, un regard précis, serein et amusé sur les développements technologiques qui imposent leurs emprises sur notre époque. </span></span><br />
<span lang="FR-CA" style="color: black; line-height: 115%;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br />Dans les espaces conviviaux du Musée, avant d’entrer dans l’espace Projet, deux œuvres intriguent le visiteur. L’impression <i>La Voiture sans conducteur dans l’au-delà</i> (2017) présente un véhicule renversé dans un champ et son image inversée. En dessous, une charte de couleurs favorise la lecture des catégories d’éléments, ciel, route, végétation, véhicule, etc. Véritable synthèse déstabilisante de l’ensemble du travail présenté ici, cette œuvre
expose l’analyse des images par un réseau de neurones artificiels incapable de percevoir le jeu des erreurs qui lui est soumis, alors que selon leurs
positions, à l’endroit et à l’envers, les mêmes objets sont classifiés différemment. <i>Le Rétroviseur (MA) </i> est un clin d’œil humoristique aux images opératoires des systèmes actuels d’assistance à la conduite et au stationnement. Les fonctions
premières de ce dispositif sont détournées afin que la personne qui observe ce qui se déroule dans l’espace
principal de l’exposition à travers le moniteur intégré au rétroviseur soit elle-même surveillée par des capteurs à ultrasons tout en se voyant dans le miroir.<br />
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Dans la salle projet, deux œuvres conversent. Chacune résulte de diverses saisies par une caméra embarquée sur le véhicule de l’artiste, ensuite analysées et
transcodées grâce à différents systèmes informatiques d’analyses des données
inscrites à même les séquences d’images.<br />
<i>Manœuvres</i>, (2017-2018) est une série de vidéos qui s’inspirent des technologies utilisées par les véhicules autonomes et des compilations d’enregistreurs de conduite populaires
sur le Web. Ces derniers sont les témoins oculaires d’incidents, ils présentent
la route comme un environnement où surgit l’inattendu, cette compilation questionne les interprétations informatiques de ces situations.<br /> <i>Conduite algorithmique</i>, (2018) évoque les recherches récentes de l’industrie automobile sur les véhicules autonomes. En permettant au visiteur de l’exposition l’exploration d’une banque de vidéos, par l’intermédiaire d’une table de mixage augmentée de nombreux potentiomètres liées à la quantification numérique de l’environnement et de l’activité du véhicule, l’artiste l’invite à orienter l’agencement séquentiel des vidéos tout en révélant le fonctionnement, parfois déficient, des systèmes en action. Comme un leitmotiv qui revient dans chacune des œuvres de François Quévillon, les erreurs et hiatus des modes opératoires sont exposés sans réserve, exposant les similitudes et les différences entre la perception humaine et celle des machines. </span></span><br />
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<span lang="FR-CA" style="color: black; line-height: 115%;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">L’ensemble de la production artistique de François Quévillon est traversée par deux champs d’exploration principaux : l’analyse des représentations contemporaines dialogue avec la critique de phénomènes mettant en scène la relation tendue entre l’activité humaine et la Terre. Ses dispositifs audiovisuels témoignent d’un regard sur la matérialité de notre existence et sur les événements qui l’altèrent.Leurs analyses et leur traitement profitent d’une nouvelle réalité, celle du double numérique de notre monde sous surveillance, un univers de données servant principalement à l’accélération de l’exploitation des ressources et à l’augmentation exponentielle du contrôle des transferts d’informations. <br /> En confrontant des techniques utilisées en intelligence artificielle à la nature imprévisible du monde, François Quévillon sonde les réactions de ces systèmes lorsqu’ils interprètent des situations inattendues et des phénomènes incalculables. L’attrait marqué de l’artiste pour les technologies de pointe - analyse de données massives, vision par ordinateur, automatisation, etc. - se voile d’un doute, d’une distance de réserve face aux bienfaits vantés par les industries qui les développent et nous les imposent.</span></span></div>
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<span lang="FR-CA" style="line-height: 115%;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Eric Mattson et
François Quévillon, 2019</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span lang="FR-CA" style="line-height: 115%;">François Quévillon</span></span><br />
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<a href="http://francois-quevillon.com/" target="_blank"><span style="color: black; font-size: xx-small;">Son site</span></a></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;"><span lang="FR-CA" style="color: black; font-size: xx-small;">La pratique artistique interdisciplinaire de François Quévillon allie l’installation, le son, les images et les technologies. Ses dispositifs audiovisuels, procéduraux et interactifs explorent les phénomènes du monde et de la perception par la mise en œuvre de processus sensibles aux conditions variables
de l’environnement et à l’interférence humaine. Détenteur d’une maitrise en arts visuels et médiatiques de l’UQAM, François Quévillon travaille régulièrement dans le cadre de résidences et au sein de groupes de recherche. Il est actif depuis une vingtaine d’années et a présenté ses réalisations lors de nombreuses expositions et événements internationaux dédiés à l’artcontemporain, au cinéma et au numérique.</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span lang="FR-CA" style="line-height: 115%;">Eric Mattson</span></span>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;"><span lang="FR-CA" style="line-height: 115%;">Commissaire en arts, musiques et sons. Montréal (QC)<br /><a href="https://eric-mattson.blogspot.ca/" target="_blank">
<span style="color: black; font-size: xx-small;">Ce Blog</span></a></span></span></div>
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<span style="font-size: xx-small;"><span lang="FR-CA" style="line-height: 115%;">Commissaire en arts, musiques et sons, il accompagne de nombreux artistes des arts numériques et sonores dans l’évolution de leurs démarches en concevant et en produisant des événements et des expositions tant au Québec, au Canada qu'à l'étranger. Ses plus récentes réalisations sont en
2019 : <i>Sons nomades / Nomadic Sounds</i>, six artistes internationaux, CTM, Berlin avec la commissaire Nicole Gingras ; <i>Territoires, Explorations</i>, cinq artistes, cinq lieux au Québec - en 2018, nommons : <i>À un moment donné, dans un lieu précis</i>, Béchard Hudon, au MA, Musée d’art, Rouyn Noranda ; <i>La marche est
haute – Territoires</i>, cinq artistes, Québec, Rimouski, Rouyn-Noranda, Sherbrooke ; <i>La Conduite algorithmique ; sur la route</i>, quatre expositions et événements avec l’artiste François Quévillon en 2018 et 2019 (Daïmon, Gatineau
; Avatar, Québec ; Expression, Saint-Hyacinthe ; MA, Musée d’art, Rouyn-Noranda). Les productions de Eric Mattson sont majoritairement supportées par Le Conseil des arts et des lettres du Québec, le Conseil des Arts du
Canada.</span></span></span></div>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Rouyn-Noranda, QC, Canada48.2342362 -79.018783646.8778717 -81.600570600000012 49.590600699999996 -76.4369966tag:blogger.com,1999:blog-4676538822717263643.post-72296824316599447642019-03-10T08:28:00.001-07:002021-05-15T11:02:40.922-07:002019 . François Quévillon. CONDUITE ALGORITHMIQUE, en tournée (3/4). Expression, Saint-Hyacinthe<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial" , sans-serif; font-size: x-small;">Manoeuvrer l’incontrôlable, François Quévillon</span>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Du 9 février au 21 avril 2019</span></span>
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Un rare (!!!!) et bon article sur l'exposition de François Quévillon à Expression : dans <a href="http://esse.ca/fr/francois-quevillon-expression-saint-hyacinthe?fbclid=IwAR3ZKr4hYqN63N4gRTvrJSeFEXRY7PQa_AAXWlLXnn_xZPxWb1jhT4Uc4MY">ESSE</a></span></span>
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<span c1e21="" color:=""><strong><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">François Quévillon, <em>Manœuvrer l’incontrôlable</em><br />Expression, Saint-Hyacinthe, du 9 février au 21 avril 2019</span></strong></span></div>
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<span c1e21="" color:=""><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Avec la rétrospective que consacre le centre d’exposition Expression de Saint-Hyacinthe à son travail de la dernière décennie, l’artiste François Quévillon décline des avancées technologiques récentes de captation, de surveillance et de détection. Majeure et magnifique, cette exposition constituée de huit dispositifs audiovisuels interroge en quelque sorte l’histoire technologique récente qui met en jeu l’avenir de la planète et de l’humanité.</span></span></div>
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<span c1e21="" color:=""><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Pour ce faire, l’artiste conjugue interactivité et procédures systématiques, art et technologie, poésie et critique. Il s’intéresse aux données de géolocalisation, de conduite automobile, de détection de mouvements géologiques et de captation de déplacements, dont il aime scénariser les images et les sons selon des paramètres algorithmiques. Diverses fluctuations proviennent des activités mesurées : vent, température, consommation d’énergie, position des spectateurs, etc. Si ces images et ces sons atteignent souvent le sublime, là où la beauté dépasse l’entendement, ils suscitent également une critique sociopolitique des avancées technologiques qui, malgré leurs promesses spectaculaires, ne sont pas infaillibles. Quévillon et le commissaire de son exposition, Eric Mattson, résument les principaux enjeux par ces trois formules lapidaires : « Les espaces entre les lieux s’amenuisent ; la vitesse perturbe les jugements ; l’anticipation des suivis efface le futur. »</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Dans le plus petit espace de l’exposition, Quévillon, souvent représenté par une photo de lui tirant un cerf-volant muni d’une caméra, propose une œuvre participative intitulée <em>Variations pour cordes et vents</em> (2014-2016). Le public est invité à croiser les sons enregistrés par le déplacement du cerf-volant, sons retransmis par six casques d’écoute suspendus, avec les images diffusées par six écrans répartis sur le mur et le sol. Ce dernier espace clôture un parcours qui n’est pas sans solliciter nos sens et nos neurones.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Déjà dans le corridor d’entrée, l’œuvre intitulée <em>La voiture sans conducteur dans l’au-delà</em> (2017), quadruple impression numérique, donne le ton. La première impression présente un véhicule accidenté dans un champ, roues vers le ciel, et la seconde, son image inversée, ciel sous terre. Sous chacune d’elles apparait l’analyse couleur des catégories d’objets identifiés par un réseau de neurones artificiels, codifiée selon une charte associant couleurs et figures.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Quand nous détournons le regard vers la salle, une projection de l’œuvre <em>Dérive</em> (2010-2015) attire notre attention. Alimentée par un dispositif interactif connecté au Web, elle diffuse des restitutions 3D d’espaces transformés au gré des phénomènes météorologiques et astronomiques dans des endroits éloignés sur la Terre. La vision est saisissante en raison de l’agrandissement exercé par l’écran géant sur la largeur, de la granularité fluctuante du traitement, du clair-obscur aussi stylisé que contrasté et de l’aplatissement graduel des images 3D de l’espace vu de loin.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Après quelques pas, c’est au tour de <em>Manœuvres</em> (2017-2018), série de six vidéos, de monopoliser notre regard. L’artiste a même prévu un banc de véhicule pour que les visiteurs puissent s’assoir et mettre les écouteurs pour contempler les vidéos, captées par la caméra du véhicule et analysées par différents systèmes de vision par ordinateur. Un trouble de la vision en résulte : impossible de déterminer si celle-ci est la nôtre, celle du véhicule ou celle de la superposition d’éléments virtuels qui traquent d’autres éléments, aux prises avec des fluctuations météorologiques, des insectes et des couleurs.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Sur le dossier des appuie-têtes, Quévillon a logé une installation vidéo, <em>Cartographie de l’incertitude machine</em>, qui propose l’analyse, par un réseau de neurones profonds, de scènes captées à Saint-Hyacinthe. Telle une mise en abyme, le lieu de l’exposition participe même à la manœuvre de ses empreintes environnementales.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">À partir du véhicule accidenté à l’entrée, nous avons rencontré des lieux transformés en temps réel par les données météorologiques et atmosphériques, puis diverses scènes de déplacements automobiles et leur analyse neuronale jusqu’à un dispositif interactif qui simule une conduite algorithmique. Sous l’effet d’illusions multiples, avec <em>Conduite algorithmique</em>, nous opérons les boutons d’une console où l’on croise et module de nombreuses vidéos captées par une caméra connectée à l’ordinateur de bord d’une automobile. Cette expérience se transforme en leçon magistrale sur l’impossibilité de tout contrôler par les dispositifs numériques. Nous sommes dans le cerveau des opérations, qui s’avère incapable de contrôler l’incontrôlable.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">En nous dirigeant vers le fond de la salle, nous sommes interpelés par un sixième dispositif : <em>Le rétroviseur (Expression)</em>, muni d’un moniteur, d’une caméra de recul et de capteurs à ultrasons qui surveillent l’activité dans la salle. Si le rétroviseur nous permet de reculer en localisant les obstacles, en le dépassant, nous nous transposons sur un continent où les forces géologiques sont sous haute surveillance. Nous apercevons alors la vidéographie majestueuse d’<em>En attendant Bárðarbunga</em> (2014-2015), dispositif procédural que l’artiste a réalisé à partir de sa surveillance d’indices dans les environs du volcan du même nom, en Islande, dans les jours où celui-ci menaçait d’entrer en éruption.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Imbriqués dans le circuit de l’exposition avec des changements d’échelle spatiotemporelle micro et macro et des fluctuations de vitesse, ces dispositifs ingénieux faisant appel au calcul et à la programmation nous introduisent dans l’ère de l’intelligence artificielle. Demain, l’humain ne conduira peut-être plus son véhicule, les obstacles seront détectés par des systèmes de perception artificielle. Déjà, le Web permet de se connecter en temps réel à un nombre incalculable de capteurs qui surveillent des phénomènes climatiques et géologiques un peu partout sur la planète. Ces avancées technologiques qui nous font miroiter monts et merveilles créent par le fait même des risques insoupçonnés associés à des effets pervers qu’on peine à anticiper. La transparence numérique n’y échappe pas. L’imprévisibilité dame le pion au contrôle.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Avec la maitrise parfaite des dispositifs par lesquels il nous initie, à coups d’images sublimes et de sons percutants, à des expériences insoupçonnées, Quévillon nous invite à réfléchir sur les risques d’un avenir associés à son anticipation.</span><br />
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Saint-Hyacinthe, QC, Canada45.6306875 -72.95633900000001445.4530495 -73.279062500000009 45.8083255 -72.633615500000019tag:blogger.com,1999:blog-4676538822717263643.post-37652776408642500262019-03-09T08:26:00.001-08:002021-05-15T11:03:24.402-07:002019 . François Quévillon. CONDUITE ALGORITHMIQUE, en tournée (2/4). Avatar, Québec<div dir="ltr" style="text-align: left;" trbidi="on">
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Québec, Canada52.9399159 -73.549136133.469673400000005 -114.8577301 72.4101584 -32.2405421tag:blogger.com,1999:blog-4676538822717263643.post-4339549392679384442019-03-08T08:23:00.001-08:002021-05-15T11:03:08.852-07:002019 . François Quévillon. CONDUITE ALGORITHMIQUE, en tournée (1/4). Daïmon, Gatineau<div dir="ltr" style="text-align: left;" trbidi="on">
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Gatineau, QC, Canada45.4765446 -75.70127230000002845.120308599999994 -76.346719300000032 45.8327806 -75.055825300000024tag:blogger.com,1999:blog-4676538822717263643.post-19505689822438587022019-01-30T09:23:00.001-08:002021-05-15T11:01:44.182-07:002019 . CTM Festival, Berlin. SONS NOMADES / NOMADIC SOUNDS , exposition, janvier 2019. Commissaires : Nicole Gingras, Eric Mattson<div dir="ltr" style="text-align: left;" trbidi="on"><table><tbody>
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<a aria-describedby="u_3s_1" aria-owns="" class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100024812684655&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARDU8U1DQ1EHzEAWdbMLObbbnyNRVDrU5fJ5uJMu02uSSsX_WNgHZhOLJ7Rl9XIYql5hrsuNcn-dd7Xj%22%2C%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/nicole.gingras.7737?__tn__=%2CdK-R-R&eid=ARDU8U1DQ1EHzEAWdbMLObbbnyNRVDrU5fJ5uJMu02uSSsX_WNgHZhOLJ7Rl9XIYql5hrsuNcn-dd7Xj&fref=mentions" id="js_5fy" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;" title="Nicole Gingras">Nicole Gingras</a> et moi même sommes commissaires invités pour cette exposition à CTM, avec trois autres commissaires internationaux. Berlin, CTM 2019.</div>
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Notre proposition : <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100005880993876&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARCeMkZG5fKWg9RDgW_TJx4uzjheIaKqPbvSLaq8gYQb8ZyVZQD3qIyd7HQDwaVLPOu1zulVdulu_2JX%22%2C%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/nakajima.rie.7?__tn__=%2CdK-R-R&eid=ARCeMkZG5fKWg9RDgW_TJx4uzjheIaKqPbvSLaq8gYQb8ZyVZQD3qIyd7HQDwaVLPOu1zulVdulu_2JX&fref=mentions" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;" title="Rie Nakajima">Rie Nakajima</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=639956824&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARDYMSNL4X60HTjh-2IDI_CKnS_KdVXlh7e3o8eGkB1zEJGOqL-tm-HANJ7VMRyANms9_wy0QScwO7if%22%2C%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/kanta.horio?__tn__=%2CdK-R-R&eid=ARDYMSNL4X60HTjh-2IDI_CKnS_KdVXlh7e3o8eGkB1zEJGOqL-tm-HANJ7VMRyANms9_wy0QScwO7if&fref=mentions" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;" title="Kanta Horio">Kanta Horio</a>, Martin Tétreault et Dieb13, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100005271728775&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARBEntVuv3h8I-yGK94wLYTztJfegcTXHVM0nc97Vah3lXIeFsng08tDpr3oeOvPw8C91X8UtLKHpEQj%22%2C%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/enrico.fontana.731?__tn__=%2CdK-R-R&eid=ARBEntVuv3h8I-yGK94wLYTztJfegcTXHVM0nc97Vah3lXIeFsng08tDpr3oeOvPw8C91X8UtLKHpEQj&fref=mentions" style="color: #385898; cursor: pointer; font-family: inherit; text-decoration-line: none;" title="Mika Taanila">Mika Taanila</a> etMika Vainio.</div>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Berlin, Allemagne52.520006599999988 13.40495399999997552.21073109999999 12.759506999999974 52.829282099999986 14.050400999999976tag:blogger.com,1999:blog-4676538822717263643.post-79417299559965655752019-01-27T12:53:00.002-08:002021-05-16T12:54:56.597-07:002019 . SONS NOMADES / NOMADIC SOUNDS ; Kanta Horio, Rie Nakajima (JPN), Martin Tétreault & Dieb 13 (QC, AUT), Mika Taanila & Mika Vainio (FIN) (.........)<table><tbody>
<tr><td align="left" colspan="2" width="640"><span style="font-size: xx-small;">SONS NOMADES / NOMADIC SOUNDS</span><a href=""><img border="0" data-original-height="8" data-original-width="26" src="https://1.bp.blogspot.com/-yNe7LUHykfM/Xb8jooXLk0I/AAAAAAAAIx8/NDNf5IXC4kIC-I9XrhxkyxenPBck7_HaACLcBGAsYHQ/s1600/fleche_smsm.jpg" /></a><br />
<span style="font-size: xx-small;">
Exposition. Commissaires : Eric Mattson et Nicole Gingras. Janvier 2019<br />
Œuvres de : Kanta Horio, Rie Nakajima (JPN), Martin Tétreault & Dieb 13 (QC, AUT), Mika Taanila & Mika Vainio (FIN)<br />
Une invitation du Club Transmediale, Berlin, Allemagne</span></td></tr>
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</tbody></table>Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0tag:blogger.com,1999:blog-4676538822717263643.post-9871834316659657702018-12-26T08:11:00.001-08:002021-05-15T11:00:50.234-07:002018 . TSONAMI Festival de Arte Sonoro . CDs Bandcamp, Post festival<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://oralrecords.bandcamp.com/album/sin-lugares">https://oralrecords.bandcamp.com/album/sin-lugares</a><br />
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<div class="tralbumData tralbum-about" itemprop="description" style="background-color: #869673; color: #414941; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 12px; margin-top: 2em; overflow-wrap: break-word;">
Both tracks recorded in Amereida, Chile. November 2018<br />
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ORAL #72</div>
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credits</h3>
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released February 11, 2019<br />
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« Tubes » :<br />
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Merci : Victoria Joly, Sebastian de Larraechea et Eric Mattson<br />
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« Et si on se retranchait » :<br />
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Enregistrements : Eric Mattson et Marc-Alexandre Reinhardt<br />
Merci : Arte Abisal et Eric Mattson<br />
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<a href="https://oralrecords.bandcamp.com/album/movimientos-de-escucha?fbclid=IwAR0EZhpSsgLs31Ee0Talw6BJNwP_T6XVD_asZ6VPhCZsry9r6qRlHR7fm9Y">https://oralrecords.bandcamp.com/album/movimientos-de-escucha?fbclid=IwAR0EZhpSsgLs31Ee0Talw6BJNwP_T6XVD_asZ6VPhCZsry9r6qRlHR7fm9Y</a></div>
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<span style="background-color: white;"><span style="color: #414941; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 12px;">Audio works from Valparaíso during Tsonami Arte Sonoro Festival, 2018. </span><br style="color: #414941; font-family: "helvetica neue", helvetica, arial, sans-serif; font-size: 12px;" /><br style="color: #414941; font-family: "helvetica neue", helvetica, arial, sans-serif; font-size: 12px;" /><span style="color: #414941; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 12px;">Sounding the City is an ongoing project that investigates the musicality of the urban soundscape through field recording and sound installations in context. </span><br style="color: #414941; font-family: "helvetica neue", helvetica, arial, sans-serif; font-size: 12px;" /><br style="color: #414941; font-family: "helvetica neue", helvetica, arial, sans-serif; font-size: 12px;" /><a href="http://reimerstein.com/" style="color: #494846; cursor: pointer; font-family: "helvetica neue", helvetica, arial, sans-serif; font-size: 12px;">reimerstein.com</a></span></div>
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Eric Mattsonhttp://www.blogger.com/profile/01258213599809983572noreply@blogger.com0Valparaíso, Chili-33.047238 -71.61268849999999-33.1537125 -71.774049999999988 -32.9407635 -71.451326999999992